Showing posts with label Freud Museum London. Show all posts
Showing posts with label Freud Museum London. Show all posts

The Ethno-Psychoanalytic Approach: Exploring Social Life In Botswana, Lesotho and Malawi, Freud Museum London, 26 - 30 October 2016

The Freud Museum joins in celebrating Black History Month this October with a pop-up interactive photographic exhibition portraying social life in Southern Africa, by Social Anthropologist & Photographer Maria Saur.


Research participant Chief Kulaya in Malawi stated:
“I learned a lot by talking with you, not that you said much, but it made me reflect on the things that have happened to us – which helped me to better come to terms with them; and maybe approach some things differently in future.”

Maria Saur has published & exhibited in Southern Africa in the places where her research was conducted and in Europe.

Further information >

FREE with admission - no need to book.

The exhibition will be complemented by Maria Saur’s talk about her ethno-psychoanalytic research on relational dynamics on Sunday 30 October, 2pm at The Freud Museum. Further information >


Bharti Kher: This Breathing House - 30 September 2016 - 20 November 2016, The Freud Museum London

The Freud Museum is delighted to present a new exhibition by Bharti Kher, This Breathing House.

Mother, 2016, Plaster, wood, metal, 140 x 63 x 96 cm, Courtesy the artist and Hauser and Wirth

Bharti Kher’s inquiry in the realm of the domestic and its dramas finds its perfect counterpart in the Freud Museum London. Equally exploring Freud’s family life as well as his theories, Kher’s new exhibition is a dialogue with the house. Vivid and full of history, the artist calls into being the voices that echo through the house and refers to Maresfield Gardens as an organism, a “breathing entity“. Kher overlays, subverts, conserves and erases memories – of herself and of her own life, of her family and of the people who lived here. She adds traces to the house of conversations past and present that also engage with Freud’s references to the mind as a complex energy system. Kher extends the conversation to include the body.

The first work the visitor encounters is Bloodline (2000). Like a vein this glowing red tower stands in the middle of the house, from floor to ceiling, binding the house together. Consisting of red glass bangles that recollect the sound of women moving through a space, it is an introduction to Kher’s idea of the house as a living breathing space.

Bloodline, 2016, Acrylic pipes, glass bangles, stainless steel, wood, lights, 649 x 7 x 7 cm. Photographed at Rockbund Art Museum

In Freud’s study are life size casts of Kher‘s parents. These sculptures place ideology and material into play. They identify skin as the primary carrier of memory. Kher explains: “What was suggested through the casting of the skin, through the memory of this tactility of plaster and how it impregnates the skin and somehow takes the essence through the pores. … It’s almost as if you look away from somebody to understand, to hear them, to see them… You have to not use the eyes to see, you have to also remember and also somehow bring together your experience and forgive. You are trying to capture their breath, to find the imprint of their minds and thoughts and the secrets of the soul. Give me your essence and be light for that time. What the cast carries only the model can give.”


The Chimera (2), 2016, Wax, concrete, plaster, Hessian fibre, brass, 119.5 x 29 x 29 cm, Courtesy the artist and Hauser and Wirth

The materiality of body casting, conserving and preserving is continued in The Chimera series, as casts of faces of loved ones. But here the positive is negated. Although imprinted into plaster the portrait is protected from the outside by wax. The features no longer visible are inverted and hidden. Kher has said of the process: “You take the first imprint of the skin and then you freeze it and then you cover it. So it is like a time capsule. You encase something to preserve it.”

For Links in a Chain Kher took the pages from the children’s book "Dick and Jane", a popular series of educational books that were used in the 1930s through to the 1970s to teach children to read. Kher makes collages, intervenes in the text so that become nonsensical.

The Intermediaries is interspersed with the antiquities that Freud himself collected. Kher describes the sculptures as “part secular and part deity. The clay sculptures are made in the South of India to be taken out once a year during festival time.” Perhaps mirroring many of Freud’s own ancient keepsakes some of them arrived broken and so the artist “began to see them as the broken idols … the ones that could no longer be worshipped or prayed to.”

With Equilibrium, a triangle hanging between floors, the artist draws us into impossible worlds: on one side of the coin there is mythmaking, and on the other, existential failure. Kher seems as preoccupied with the equilibrium of physical forces, as psychological. She achieves a “steady state” by a surreal conjunction of elements. Drawn from found and cast objects these works are strange tantalizing conjunctions of disparate forms and things – all held together in a delicate precarious balance.

Links in a chain [detail], 2016, Mixed media, In 6 parts; each 182 x 72.5 x 25 cm. Courtesy the artist and Hauser and Wirth

Bharti Kher was born in London in 1969. She studied at the Middlesex Polytechnic, London, 1987 - 1988 and received a BA Honours in Fine Art, Painting at the Foundation Course in Art & Design at Newcastle Polytechnic, Newcastle, 1988 - 1991.

Kher's work has been the subject of numerous solo exhibitions and was included in scores of group exhibitions at museums and galleries worldwide. Recent solo presentations include: ‘In Her Own Language’, Lawrence Wilson Art Gallery, part of The University of Western Australia, Perth, Australia (2016); 'three decimal points. Of a minute of a second of a degree', Hauser & Wirth Zürich (2014), 'Misdemeanours', Rockbund Art Museum, Shanghai, China (2014), Parasol unit foundation for contemporary art, London, England (2012). Further solo presentations in 2012 include ' 'Reveal the secrets that you seek', Savannah College for Art and Design, Savannah GA.
Group exhibitions include the Sydney Biennale (2016),

A comprehensive solo exhibition is currently on view at Vancouver Art Gallery, Canada.

Bharti Kher lives and works in New Delhi, India.


30 September 2016 - 20 November 2016

Emma Talbot: Unravel These Knots


10 February 2016 - 10 April 2016

Vanishing Point - gouache and watercolour on paper, 2011
Courtesy: domobaal and Petra Rinck Galerie

Emma Talbot's work recounts her own real life experiences, revealing the workings of her mind in a non-linear format. Through the immediate, inventive qualities of the drawn and handmade, Talbot finds a means of registering those things that remain intangible – thoughts, memories, emotions, and psychological associations.


Siblings, 2012 - gouache and watercolour on paper
Courtesy domobaal and Petra Rinck Galleries

The basis of her practice is ongoing drawing, giving a constantly developing account of her life that focuses on the thought processes that lend and narrate meaning to experience. Through the work’s proliferation of words and pictures, Talbot is able to leap back and forth in time and between memory and imagination to deliver an intimate, poetic and inventive world, charting her own psychology. Specifically, her work records pictures from the mind’s eye that can’t be captured by mechanical means, revealing idiosyncratic connective leaps and associations that underpin her personal narrative.

Talbot’s work in this exhibition at the Freud Museum London is representative of the type of material that might be brought to psychoanalysis, based on family, key memories, loves, anxieties, dreams and thought patterns. Considering the open nature of psychoanalytic discourse, previously unseen drawings are installed in groups, revealing the tangled and intertwined nature of emotive subjects.

The Heart Inside, 2011 - gouache and watercolour on paper
Courtesy domobaal and Petra Rinck Galleries

The work presented in Unravel These Knots focuses on two of Freud’s studies: 'Screen Memories’ and 'The Interpretation of Dreams'. Talbot considers the potent memory of home furnishings and decoration as well as delivering an expose of her own dream images and thoughts.

The Interpretation Of Dreams, is the title of a large-scale printed silk curtain, made specifically for the Freud Museum, depicting scenes of flux from archetypal dreams, with an elaborate composition of figures flying, running away, climbing and falling in a composition of coloured waves. Quotes from Freud’s writings act as the disembodied voice of dream thoughts.

Interpret My Dreams/Case Study, transforms the exhibition cabinet into a highly patterned and painted environment, where scenes from Emma Talbot’s own dream imagery are narrated, inviting the viewer to read and ponder on the meaning of them. Soft sculptural forms placed on the cabinet’s shelves provide unplumbable motifs.

Funeral, 2010 gouache and watercolour on paper
Courtesy domobaal and Petra Rinck Galleries


Intangible Things: Dreamer, a soft sculpture head with a metallic face and long, grey hair sits on Anna Freud’s consulting couch. Dreamer is a silent and reflective analysand, facing a tangle of fragmented forms representative of left-over memories of dream imagery.

In the study, a large scale drawing on Japanese paper, Unravel These Knots imbeds personal stories into the weave and threads of an elaborate decorative carpet. Hanging vertically, the drawing references the influence of collected artefacts and furnishings, both in Freud’s Study and in family homes personal to Talbot.

Blood, 2011 gouache and watercolour on paper
Courtesy domobaal and Petra Rinck Galleries

Unravel These Knots will also introduce a text by Rebecca Geldard, printed silk panels made in collaboration with Coriander Studio, as well as a new lithograph Dream published by Coriander Studio, among other works together with a publication that will present 12 new drawings. In April 2016, a selection of Emma Talbot’s paintings and drawings will be exhibited in 'Speaking in Pictures, Thinking in Tongues' curated by Robert Cook at The Art Gallery of Western Australia, opening in April 2016. In Autumn 2016 she will present solo shows at Petra Rinck and Domo Baal Galleries.

Freud Museum London

Introducing Freud at the Freud Museum: 12 week evening course

22 September 2016 - 8 December 2016



As Freud is so frequently referred to it is natural to assume that we already know everything about him, but the superficial manner in which his ideas are normally discussed – often intended to justify dismissing psychoanalysis out of hand – conceals the fact that his thinking is little understood, despite the controversy that has raged around his ideas since they first became internationally known. This course will offer the opportunity to engage directly with Freud’s writings, clarifying the meaning of his most important concepts and theories, as well as his views on the practice of psychoanalysis. We will place Freud accurately in his historical context – as well as bringing into focus the relevance of his work to debates that are taking place now. The course will be accessible to beginners but will also stimulate those who already have some knowledge of Freud and psychoanalysis. Each session will be based around selected passages from Freud’s writings (all the readings are taken from ‘The Freud Reader’ edited by Peter Gay).

Week 1: Introduction: The nature and status of psychoanalysis: perspectives and debates. (p3 – 17 & p783 – 796)

Week 2: Hysteria (1): What is (or was) ‘hysteria’? A ‘female malady’? The case of ‘Anna O’: dissociation, hypnosis and the ‘cathartic method’. Freud’s early practice as a psychotherapist. (p60 – 78)

Week 3: Hysteria (2): Symptoms and ‘defence’: from hypnosis to ‘free association’. From the ‘Lucy R’ case to the ‘seduction theory’. The reasons for Freud’s abandonment of the ‘seduction theory’ (p78 – 86 & p96 – 113)

Week 4: Dreams (1): The meaning of dreams and how Freud learned to interpret them. The dream of ‘Irma’s Injection’. Freud’s theory of dreams. (p129 – 172)

Week 5: Dreams (2): Freud’s use of his own dreams in his ‘self-analysis’. His reconstruction of his own early childhood. The limitations of self- analysis. The role of dreams in psychodynamic psychotherapy. (p111-126)

Week 6: Sexuality (1): The meaning of ‘Infantile sexuality’. Freud’s ‘stages’ of psychosexual development. The Oedipus complex. Freud on the sexual abuse of children. (p 239 – 293)

Week 7: Sexuality (2): Sexuality in adulthood. Perversion, heterosexuality and homosexuality. Freud’s view of ‘love’. His later theory of the neuroses. The nature and functions of human sexuality. (p387 – 400 & p443 – 481)

Week 8: The Principles of Psychoanalytic Psychotherapy: The ‘Dora’ case and the importance of ‘transference’. Freud’s ‘Papers on Technique’. (p172 – 239 & p356 – 387)

Week 9: Narcissism and the Death instinct. (p545 – 562 & p601 – 617)

Week 10: Mourning and the structure of the psyche. (p584 – 589 & 626 – 645)

Week 11: Freud’s later views on the difference between the sexes. (p670 – 678)

Week 12: Society and human happiness. (p 722 – 772)


RECOMMENDED READING

Phillips, A. ‘Becoming Freud: the making of a psychoanalyst’ (Yale U.P. 2014)

Thurschwell, P. ‘Sigmund Freud ( 2nd edition)’ (Routledge 2009)

Frosh, S. ‘A brief introduction to psychoanalytic theory' (Palgrave Macmillan 2012)

Zaretsky, E. ‘Secrets of the soul: a social and cultural history of psychoanalysis’ (Knopf 2004)

Breger, L. ‘Freud: Darkness in the midst of vision’ (Wiley 2000)

Micale, M. ‘Hysterical men: the hidden history of male nervous illness’ (Harvard U. P. 2008)

Rabate, J-M. ‘Literature and Psychoanalysis’ (Cambridge U.P. 2014)

Appignanesi, L. ‘Freud’s Women’ (Penguin 1997) & Forrester

J Grosz, S. ‘The Examined Life: How We Lose and Find Ourselves’. (Vintage 2014)

Minsky, R. ‘Psychoanalysis and gender: an introductory reader’ (Routledge, 1996)

Bergman, M.,‘The anatomy of loving: The story of man’s quest to know what love is’ (Columbia U. P. 1987)

Malan, D. ‘Individual psychotherapy and the science of psychodynamics’ (Butterworths 1995)


More info here.

PROJECTIONS: David Lynch's blurred identity trilogy - Three-week evening course

9 May 2016 - 23 May 2016



Beloved American director David Lynch captivates and mystifies audiences with luxurious cinematic dreamscapes, creating glorious puzzles for the mind and heart of film fans. Three titles in particular (Lost Highway, Mulholland Drive and Inland Empire) form his unofficially named ‘blurred identity trilogy’ featuring surrealistic representations of characters embarking on perplexing paths in search of lost selves. In her PROJECTIONS course, MARY WILD will deconstruct and interpret the unforgettable Lynchian triptych from a psychoanalytic perspective, the central thesis being that in each instalment a psychogenic fugue follows the unconscious trauma of unrequited love. The framework of study will include Sigmund Freud's hydraulic model of the mind, Jacques Lacan’s linguistic theory, and Carl Jung’s concepts of persona/shadow to illuminate Lynch’s iconic dream-logic, which is disturbing and beguiling in equal measure.

Advance viewing is optional, select scenes and montages will be shown during weekly sessions:

Week 1 – Lost Highway (1997): A jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a another man and begins a new life

Week 2 – Mulholland Drive (2001): An amnesiac woman and an aspiring actress search for answers across Los Angeles in a twisting venture beyond dreams and reality

Week 3 – Inland Empire (2006): As an actress begins to adopt the persona of her character in a film, her world starts to become nightmarish and surreal

PROJECTIONS is psychoanalysis for film interpretation. PROJECTIONS empowers film spectators to express subjective associations they consider to be meaningful. Expertise in psychoanalytic theory is not necessary - the only prerequisite is the desire to enter and inhabit the imaginary world of film, which is itself a psychoanalytic act. MARY WILD, a Freudian cinephile from Montreal, is the creator of PROJECTIONS.

More info here.

Policing a complex, challenging and turbulent society: A Freudian Perspective?


20 April 2016

Are you interested in the police, and in policing?


Of course. Everyone is. In a liberal democracy, the police have a complex and often controversial role.
  • What is it?
  • How do the police themselves see their role?
  • What challenges does this present to the police psyche?
  • What might Freud have to tell us about all this?

Police Myths and Realities

Peter Villiers explores the myth of policing by consent and reviews the challenges of discretion

Join us, and share your own perspective.

Peter Villiers worked for many years at the police staff college, where he concluded his career as head of human rights. He is the author of many books, articles and essays on policing, ethics, leadership and human rights.

More info here.

Psychoanalysis and Philosophy: 12 week evening course, London

14 April 2016 - 30 June 2016
Thursdays, 6.30-8.30pm


Freud was famously ambivalent about philosophy: on the one hand, pouring scorn on academic philosophers who dismissed the notion of the unconscious mind on the pretext that it involved a logical contradiction – while on the other, stating proudly in his autobiography that after a long detour through medicine and psychotherapy he had finally returned to the philosophical preoccupations of his youth. The course will examine the ways in which psychoanalysis and philosophy inform each other, and intersect with each other - sometimes in mutual support and sometimes in sharp conflict. We begin with the great philosophers of the past who influenced and inspired Freud and later psychoanalysts, then, in the second half of the course, turn to contemporary philosophers who have reflected on psychoanalysis, either critically, or with the aim of clarifying the nature of its contribution to the understanding of the human condition.


Tutor: Keith Barrett BA PhD - having received his PhD from the Wellcome Centre for the History of Medicine at University College London, Dr Barrett specialises in both philosophy and psychoanalysis and has taught at several leading institutions, including Imperial College and Birkbeck College.

Week 1: Introduction. Freud’s study of philosophy as an undergraduate. The deep philosophical background to the emergence of psychoanalysis: the Enlightenment vision vs Romanticism.

Week 2: Schopenhauer. The formative influence on Freud’s thinking of the philosophy of Schopenhauer. ‘The World as Will and Representation’.

Week 3: Nietzsche. Anticipations of psychoanalysis in the philosophy of Nietzsche. Freud and Jung and their different relationships to Nietzsche. Psychoanalysing philosophy.

Week 4: Plato. ‘Eros’ in Plato and Freud. Freud’s view of homosexuality and Plato’s philosophy. Plato’s ‘Symposium’. Freud between Plato and Nietzsche.

Week 5: Spinoza. Sometimes referred to as ‘the philosopher of psychoanalysis’, we will examine Spinoza’s understanding of the mind/body relationship, and his views on freedom and happiness. Spinoza’s ‘Ethics’

Week 6: Popper and Grunbaum. The 20th century debate over the scientific status of psychoanalysis. Grunbaum’s ‘The Philosophical Foundations of Psychoanalysis’

Week 7: Ricoeur and Habermas. The debate over the interpretation of psychoanalysis as hermeneutics. Ricoeur’s ‘Freud and Philosophy’

Week 8: Levinas and Buber. Psychoanalysis and the philosophy of the ethical relation to the other. Levinas’ ‘Totality and Infinity’ and Buber’s ‘I and Thou’

Week 9: Marcuse and Girard. Philosophical responses to Freud’s analysis of society. Marcuse’s ‘Eros and Civilisation’ and Girard’s ‘Violence and the Sacred’. Freud and violence.

Week 10: Foucault. Foucault’s earlier view of psychoanalysis in ‘Madness and Civilisation’, and his later view in ‘History of Sexuality, vol 1’.

Week 11: Lacan. Lacan’s appropriation of philosophy for the ends of psychoanalysis. Hegel, Heidegger and Freud, according to Lacan.

Week 12: Derrida. Derrida’s relation to psychoanalysis. Derrida vs Lacan. Derrida in the Freud archives: ‘Archive Fever’

More info here.

Dreams and Creativity: Psychoanalytic Perspectives - 4 - 5 March 2016 - Freud Museum London

4 March 2016 - 5 March 2016

Je suis le reve/I am the dream


What is the place of the image in contemporary creative work ? 

How do artists make use of the images that arise in their dreams, daydreams and fantasies? 

We wish to propose and discuss the ways in which the creation of ‘original’ images is a matter of the encounter between the present and the past, an encounter between the images that present themselves in the daily life of the artist at work and the dream imagery of the unconscious. According to Walter Benjamin’s formula, pre-figured in Freud’s ‘Creative writers and daydreaming’, the artist is the one who acts on the images of his or her thoughts, that is to say that the artist finds the way towards a psychic and material remodelling by turning dream or fantasy images into images that are presentable and shareable.

We will also be interrogating what we call Excited Images (Images excitées) in contemporary society, images that captivate us because they carry a measure of excess which at times prevents the unfolding of dreams and fantasies. Their very overexposure and banalisation hides a meaning which may have become taboo and unthinkable.

PROGRAMME

Friday evening (Freud Museum):

18.00-19.30
Welcome and Introduction to the Conference

I am the dream: from the video images of Bill Viola
Silvia Lippi, Simone Korff Sausse, Celine Masson and Silke Schauder

Du Monde/Of the World
Sharon Kivland

19.30-21.00
Wine Reception


Saturday (Anna Freud Centre)

Session 1

Exploring the space of the dream through the work of David Altmejd
Suzanne Ferrieres Pestureau, Yulia Popova and Angelique Gozlan)

We Dream: Creativity and the Collective
Julia Borossa and Caroline Rooney)

The Sound Image in Dreams
Fabienne Ankaoua and Laetitia Petit

Session 2

Dreaming Hallucinations : Hallucination as the letter in the body of the text
Anouck Cape, Angélique Christaki and Monique Zerbib

Delusion and Dreams in Georgios Vizneyos’ 'The Only Journey of His Life’
Yannis Grammatopoulous

Session 3

Dream, Myth and Erotic Imagery: the desire of the Octopus
Catherine Desprats Pequignot and Xavier Gassmann

Nkisi Nkondi: an image of transference and projective identification in the analytic process
David Henderson

Session 4

Perversions of the Dream: Excited, Exciting and Captivating Images
Vincent Estellon and Dimitri Weyl

Dreaming Time
Jivan Astfalck

Closing Remarks and Discussion

More info here.
 

A Consumer's Guide to Therapy - Freud Museum London - 1 March 2016

1 March 2016
7-9pm - doors open at 6.30pm

A Consumer's Guide to Therapy
Professor Brett Kahr in Conversation with Dan Chambers


What actually happens in psychotherapy? And does it really work?

Psychotherapy has become a mainstay of our emotional wellbeing, and yet, in spite of its century-long track record, many people still regard “therapy” with a certain suspicion. Is psychotherapy simply a self-indulgent exercise in navel-gazing for bored, well-heeled neurotics with too much time on their hands, or is it, in fact, an essential route to the achievement of solid mental health, enhanced creativity and productivity, and richer, more gratifying intimate relationships?

In this seminar, the television producer Dan Chambers will speak with Professor Brett Kahr, one of Great Britain’s leading psychotherapists, and together, they will explore in detail both the myths and the realities about the psychotherapeutic process. The evening will consider such fundamental and frequently asked questions as:

• What actually happens in psychotherapy?

• How long might therapy last?

• Does therapy blame everything on one’s parents?

• Will I be cured or will I be brain-washed?

• How do I find an experienced and trustworthy psychotherapist?

• How much will psychotherapy cost?

• Will I still recognise myself at the end of the process?

• Might there be any risks associated with undergoing therapy?

We will consider psychotherapy in its historical context, examining the way in which the art and science of psychotherapy has evolved since Sigmund Freud’s creation of the “talking cure”.

This evening workshop will allow ample time for discussion and questions from the audience.

Professor Brett Kahr has worked in the mental health field for over thirty-five years. He is currently Senior Clinical Research Fellow in Psychotherapy and Mental Health at the Centre for Child Mental Health in London, and Senior Fellow at the Tavistock Centre for Couple Relationships at the Tavistock Institute of Medical Psychology. He has worked in many branches of the psychotherapy profession as clinician, teacher, researcher, author, and broadcaster, having served previously as Resident Psychotherapist on B.B.C. Radio 2. Author of eight books including Life Lessons from Freud and, also, the best-selling Sex and the Psyche, he is also Series Editor of the “Forensic Psychotherapy Monograph Series” for Karnac Books and Series Co-Editor of the “History of Psychoanalysis Series”. He practices psychotherapy with individuals and with couples in Hampstead, North London, and he is a Trustee of the Freud Museum and of Freud Museum Publications.

Dan Chambers is the Creative Director of Blink Films, one of Great Britain’s leading factual independent television production companies, with an output covering history, science, documentary, and cookery for all the key channels in the United Kingdom and all the leading factual channels in America. Previously, he has been Head of Science Commissioning at Channel 4 and the Director of Programmes at Channel 5. He has directed science documentaries for the Equinox science strand, and he has produced the Channel 4 and P.B.S. history strand, Secrets of the Dead. Dan studied Psychology and Philosophy at the University of Oxford, and he is currently a Governor of the London Film School and a Trustee of the Freud Museum.

More info here.

Intimacy Unguarded: Gender, the Unconscious and Contemporary Art - Day symposium - 27 February 2016

Freud Museum London

27 February 2016


Intimacy Unguarded: Gender, the Unconscious and Contemporary Art
Day symposium

The most intimate aspects of the human subject are unconscious. This symposium examines the ways in which this material becomes the basis for contemporary art, critical writing and the dynamics of the consulting room. The speakers will provide a number of perspectives on the relationship between gender, the unconscious and intimacy. As well as first hand accounts from contemporary artists there will be a new reading of Marlene Dumas’ intimate art practice. The psychoanalytic process of ‘patient presentation’ will be examined, as well as how the process of being in analysis becomes inadvertently manifest when artists exhibit their work in the Freud Museum.

This symposium is hosted in collaboration with the Central Saint Martins School of Art and Design research project Intimacy Unguarded, which examines the personal as material in contemporary art and writing.

Confirmed speakers:

Diana Caine (neuropsychologist)

Denis Echard (psychoanalyst)

Joanne Morra (writer)

Sadie Murdoch (artist)

Griselda Pollock (visual theorist and cultural analyst)

Emma Talbot (artist)

Barbara Visser (artist)

Titles and abstracts to follow shortly.

Supported by CSM Art Programme and CSM Research

More info here.

Avoiding The Object (On Purpose): Cornelia Parker in conversation with Darian Leader - 24 February 2016

Freud Museum London - 30th Anniversary event

24 February 2016
7pm - doors open at 6.30pm

Cornelia Parker, A Feather from Freud's Pillow, 1997

Avoiding The Object (On Purpose): Cornelia Parker in conversation with Darian Leader

Join us for the second in a special series of talks and lectures marking the Museum's 30th Anniversary, which take place throughout 2016.

Artist Cornelia Parker will be in conversation with Psychoanalyst and Author, Darian Leader, discussing her art and its relation to the unconscious. They will talk about transitional objects, avoiding the object on purpose, memory, and violence as a metaphor.

Nominated for the Turner Prize in 1997, Cornelia Parker became well known for her installations and interventions, including Cold Dark Matter: An Exploded View 1991 (Tate Modern) where she suspended the fragments of a garden shed, blown up for her by the British Army, and The Maybe, a collaboration with actress Tilda Swinton, at the Serpentine Gallery in 1995. She is currently working on the annual roof commission for the Metropolitan Museum, New York.

She has works in the Tate Collection, MoMA and Met Museum NY and in numerous public and private collections in Europe and the USA. She was elected to the Royal Academy in 2009 and awarded an OBE 2010. She is represented by Frith Street Gallery, London.

Darian Leader is a writer, psychoanalyst, trustee of the Freud Museum and founding member of the Centre for Freudian Analysis and Research. He has written numerous books, including Strictly Bipolar (2013), What is Madness? (2011), The New Black (2008) and Freud's Footnotes (2000).

More info here.

Mirrors to Windows: The Artist as Woman: a film by Susan Steinberg - Freud Museum London

4 February 2016

Mirrors to Windows: The Artist as Woman: a film by Susan Steinberg
Screening and panel discussion


Mirrors to Windows takes you on an intimate but fast-paced journey, moving the lens between art and life to reveal the dynamic and multi-faceted story of this enigmatic calling.

It is a unique film following an international cast of three generations of women from Cairo, France, Germany, Lebanon, the United States and the United Kingdom, who are all forging their careers in the heat of the London art scene. Filmed in part at the Freud Museum London following artist Alice Anderson during her 2011 exhibition Childhood Rituals.



The screening will be followed by a panel discussion with Susan Steinberg (Producer and Director), Nermine Hammam (Artist), Joan Thompson (Chair/Psychoanalyst) and Shawn Tower (Psychoanalyst). The panel will discuss the many links between psychoanalysis, creativity and art explored in this thought-provoking documentary.


More info here.

Is Psychoanalysis a Jewish Science? - Freud Museum London

28 January 2016
7pm - doors open at 6.30pm
Is Psychoanalysis a Jewish Science?

Panel discussion: Joseph Berke, Stephen Frosh, Tali Loewenthal and Anthony Stadlen


Predominantly, Sigmund Freud saw himself as an objective scientist. Initially, he gained renown as an anatomist, being the first person to dissect the testicles of an eel. Subsequently he made major contributions to histology and neurology, particularly through his study of Aphasia. Yet he became famous for his study of subjectivity and intersubjectivity.

At the same time, he decried religion, including his own, as mired in magic and superstition. And he repeatedly denied that his work was a 'Jewish science,' even though he and almost all the founding fathers of psychoanalysis were Jewish, and his basic discoveries were rooted in the Jewish mystical tradition. That was the overt Freud.

The covert Freud confessed that he was "not at all a man of science," rather an emotional "conquistador and adventurer." Moreover he maintained mystical texts in his library and, at times, studied with a distinguished Kabbalist, Rabbi Alexandre Safran.

In 1977 on the creation Sigmund Freud Chair of Psychoanalysis at the Hebrew University, his daughter, Anna, addressed the issue of her father's work being a "Jewish science." She said that however much psychoanalysis may be dismissed for being unscientific or overly Jewish, she now believed that the term could now serve as a "title of honor."

The discussants will consider whether this is still, or ever was, the case.

More info here.

JOSEPH BERKE

MD, FRSM, FDAmBMPP
Psychoanalytic Psychotherapist, Individuals and Families
Co_Founder, Arbours Association
Founder and Director, Arbours Crisis Centre
Lecturer and Writer
Books include, Mary Barnes: Two Accounts of a Journey Through Madness ( with M. Barnes) Why I Hate You and You Hate Me and most recently The Hidden Freud: His Hassidic Roots

STEPHEN FROSH

Pro-Vice-Master and Professor in the Department of Psychosocial Studies at Birkbeck College, University of London. He is the author of many books and papers on psychosocial studies and on psychoanalysis, including Feelings, Psychoanalysis Outside the Clinic, A Brief Introduction to Psychoanalytic Theory, and The Politics of Psychoanalysis. He has written two books on psychoanalysis and Jewish identities: Hate and the Jewish Science: Anti-Semitism, Nazism and Psychoanalysis, and Hauntings: Psychoanalysis and Ghostly Transmissions.

TALI LOEWENTHAL

Dr Naftali Loewenthal was born in Haifa but was brought up in London. He is an adjunct lecturer at the Dept of Hebrew and Jewish Studies of UCL, lecturing in Jewish Spirituality. He authored Communicating the Infinite: the Emergence of the Habad School (Chicago: University of Chicago Press, 1990) and many scholarly articles. His forthcoming book with the Littman Library is entitled “Hippy in the Mikveh, Essays on Habad Thought and History”.

He also directs the Chabad Research Unit, an educational organisation running study groups and producing ‘Friday Night’ for discussion at the Shabbat table, and teaches Religious Studies in the Lubavitch Senior Girls School. He is married to Professor Kate-Miriam Loewenthal. They have a large family.

ANTHONY STADLEN

Anthony Stadlen is an existential and psychoanalytic psychotherapist (UKCP, BPC), Daseinsanalyst (IFDA Independent Effective Member for UK), family analyst and teacher.

See also



Holocaust Memorial Day 2016 - Freud Museum London

27 January 2016 - Freud Museum London
7pm - doors open at 6.30pm

Screening and panel discussion: Peter Speyer, Caroline Pick, Andrea Sabbadini and Kate Barrows.


We mark Holocaust Memorial Day 2016 with a special screening of two short films You Are Me (Peter Speyer 2013, 11’) and Home Movie (Caroline Pick 2013, 17’), followed by a discussion between the filmmakers and psychoanalysts, Andrea Sabbadini and Kate Barrows, exploring these creative responses to global atrocities.

Peter Speyer is a director, playwright and screenwriter with Royal Shakespeare Company productions and an award winning feature film, ‘The Wooden Camera.’ Qualified in psychology and social work, Peter worked therapeutically with survivors of the Nazi Holocaust and co-directed a therapy centre for people experiencing psychoses. His film ‘You are Me’ dramatises the encounter of a survivor of the Nazi Holocaust and a mute African war orphan who lives on a park bench in Alexandra Palace, London, joining them as refugees and survivors of genocide across the generations and continents.

Caroline Pick is an artist, filmmaker and former commissioning editor at the BBC and Channel Four. It took her more than 50 years to delve into the box of home movies that her father had shot between the 1930s in Czechoslovakia and the 1960s in Britain. In ‘Home Movie’, her powerful film about immigration and dislocation, she unearths the story that her parents hid.

Andrea Sabbadini is a Fellow of the British Psychoanalytical Society and its former Director of Publications. He works in private practice in London, is a trustee of the Freud Museum, a member of the IPA Committee on Psychoanalysis and Culture, and the director of the European Psychoanalytic Film Festival. His most recent books are Boundaries and Bridges: Perspectives on Time and Space in Psychoanalysis (Karnac 2014) and Moving Images: Psychoanalytic Reflections on Film (Routledge 2014).

Kate Barrows is a Training Analyst with the British Psychoanalytical Society and works in private practice in Bristol. She is also a Tavistock trained Child Psychotherapist and worked for many years in the Child and Family Service at the Bridge Foundation for Psychotherapy and the Arts. Her publications include 'Ghosts in the Swamp’ IJPA 1999, which describes the impact of intergenerational losses in the analysis of a young woman and Envy, Icon Books 2004. She edited Autism in Childhood and Autistic Features in Adults, Karnac Books 2008. She has also written several papers about the relationship between literature and psychoanalysis as well as Britten’s opera The Turn of the Screw.

More info here.

Spring Psychoanalytic Poetry Festival 2016, London

Saturday 12 March 2016, 9:30 am – 5:00 pm

Freud Museum London


In talks, readings, conversations and film screenings, speakers from the worlds of poetry, film and psychoanalysis explore the power of images in memory, imagination and poetry. How is an image re-rendered in a poem, and how might perception be influenced by the poet’s internal world?

Organised by The Freud Museum and The Poetry Society

Sessions include:

Gerry Byrne on the transformational power of words and images in poetry and psychotherapy.

Valerie Sinason on the language of trauma and dissociation. (abstract)

Mark Solms on ‘The Mind of the Artist’. (abstract)

Eliza Kentridge, poet and artist, reading from and introducing Signs for an Exhibition, and in conversation with Mark Solms.

PoetryFilms selected by Zata Banks and introduced by the filmmakers. (Programme)

Maurice Riordan with a ‘poem on the couch’, conducting an in-depth analysis of a single poem, Santarém by Elizabeth Bishop.

Pascale Petit on how imagery and images filter pain; exploring the creative dialogue she has developed with the work of Frida Kahlo. (abstract)

For Online Booking please CLICK HERE
 

CONFERENCE: Psychosis and Psychoanalysis - 20 March 2016, Freud Museum London

History - Politics - Theory - Technique

Giotto di Bondone, detail from The Last Judgement, 1304-05

Organised in collaboration with the Psychosis Therapy Project, a therapy service for people experiencing psychosis.

The relation between psychosis and psychoanalysis is a paradoxical one. Psychosis is a core term in the theory of psychoanalysis, a site of clinical challenges and radical questioning. Yet it has no place in classic psychoanalytic technique.

Is there a place for psychosis in psychoanalysis? Is there a place for psychoanalysis in psychosis?

This one-day conference brings together eminent practitioners of psychoanalysis from a variety of theoretical perspectives to discuss these complex and topical questions. Drawing on their important contributions to the area of psychosis, the speakers will reflect on the political, theoretical and technical implications of their work.

More info here. 


SPEAKERS AND TITLES

Haya Oakley: Life in the “Anti-Psychiatry” Fast Lane

Brian Martindale: Family and Psychosis (Past & Present)

Jay Watts: Navigating Language Games around Psychosis

Barry Watt: The Politics of Kleinian Technique in Post-war UK (TBC)

Kate Brown: Attachment Theory and Psychosis

Stijn Vanheule: Conceptualising and Treating Psychosis: A Lacanian Perspective

Clinical Rountable moderated by Gwion Jones:
Dorothée Bonnigal-Katz (Presenter)
Christos Tombras and Tomasz Fortuna (Respondents)


SPEAKERS' BIOGRAPHIES:

Dorothée Bonnigal-Katz is a psychoanalyst and a translator. She is a member of the SITE for Contemporary Psychoanalysis and one of the editors of Sitegeist: A Journal of Psychoanalysis and Philosophy. She is the founder of the Psychosis Therapy Project. She has translated a number of psychoanalytic works including Dominique Scarfone’s Laplanche: An Introduction (2015) and she translates for the International Journal of Psychoanalysis on a regular basis.

Kate Brown is a Bowlby Centre trained UKCP registered attachment based psychoanalytic psychotherapist who started her career in therapeutic communities working with adults with a variety of mental health difficulties, and with adolescents individually and in groups. She has worked with young mothers and in mainstream community psychiatric services with patients’ families. She has also provided time limited therapy with former servicemen who had experienced complex trauma. She teaches at The Bowlby Centre and has also delivered freelance training. Kate completed an MSc in psychotherapeutic approaches in mental health in 2012. She is a member of the Attachment Journal editorial group, former chair of the clinical forum at The Bowlby Centre. Kate has recently begun a PhD in the psychoanalysis department at Middlesex University in the history of the therapeutic community movement and the treatment of trauma. Kate has recently moved to Bournemouth where she will be developing a private practice.

Dr Brian Martindale is a psychoanalyst and psychiatrist. He was founder (with colleagues) of the EFPP, the European Federation of Psychoanalytic Psychotherapy in the Public Sector, its first chairperson and is now Honorary President. He was chair of the ISPS, International Society for the Psychological and Social Approaches to Psychosis from 2010-2015 and past editor of the ISPS book series. He is now an Honorary Lifetime Member. He represented psychiatry for Western Europe to the World Psychiatric Association (WPA) for six years. After many years as a Consultant Psychiatrist in Psychotherapy, he worked in a NHS early intervention in psychosis service for 7 years before retiring in 2012 and now works in private practice outside Newcastle.

Haya Oakley has been practising psychoanalysis in London since 1968. After a brief spell at the David Cooper 'anti-university' group she joined the Philadelphia Association where she worked for many years with R.D. Laing and colleagues training psychotherapists and working in 'therapeutic households'. In 1997 she left the Philadelphia Association and set up, with others The Site for Contemporary Psychoanalysis. She has been a member of the Guild of Psychotherapists since 1982 and is a founder member of The College of Psychoanalysis UK. Honorary Fellow of UKCP. Haya’s interests include the politics of psychotherapeutic organisations, the issues surrounding State regulation of the 'impossible profession', the comparative study of psychoanalytic theories and the question of psychosis. Haya is involved in teaching, supervising and analysing and has contributed to a number of publications as well as TV and radio programmes.

Christos Tombras trained as a psychoanalyst with the Centre for Freudian Analysis and Research. He is a member of CFAR and of the College of Psychoanalysts - UK, and has his private practice in North West London. His research interests include the relationships between psychoanalysis and continental philosophy.

Stijn Vanheule is professor of psychoanalysis and chair of the Department of Psychoanalysis and Clinical Consulting at Ghent University (Belgium), and a psychoanalyst in private practice (member of the New Lacanian School for Psychoanalysis and World Association of Psychoanalyse). He is the author of The Subject of Psychosis – A Lacanian Perspective (Palgrave Macmillan, 2011) and Diagnosis and the DSM – A Critical Review (Palgrave Macmillan, 2014), and of multiple papers on Lacanian and Freudian psychoanalysis, psychoanalytic research into psychopathology, and clinical psychodiagnostics.

Barry Watt is a psychoanalyst in private practice and a member of the SITE for Contemporary Psychoanalysis. He is one of the senior practitioners at the Psychosis Therapy Project as well as a housing advocate and community activist.

Dr Jay Watts is a Clinical Psychologist and Psychotherapist working from Systemic and Lacanian orientations. She is Honorary Senior Research Fellow at Queen Mary, University of London, as well as being in full time private practice. Jay has held a number of senior academic and NHS posts, including leading Early Intervention in Psychosis and Integrative Psychotherapy Teams, heading research for a NHS trust, and developing teaching modules as Senior Lecturer in Counselling Psychology at City University. Jay continues to teach on a number of Clinical and Counselling Psychology trainings, and has published widely. She is Practice Editor for the European Journal for Counselling and Psychotherapy, and is Foreign Correspondent for ‘Mad in America’.

Karl Abraham: Life and Work, a Biography - 18 February 2016 at Freud Museum London

Karl Abraham: Life and Work, a Biography

Author's talk: Anna Bentinck van Schoonheten introduced by Professor Brett Kahr

http://www.amazon.co.uk/gp/product/178220184X/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=178220184X&linkCode=as2&tag=freuquot-21
Karl Abraham: Life and Work, a Biography is the first complete biography of Karl Abraham (1877-1925), a close colleague and friend of Sigmund Freud and one of the most important pioneers of psychoanalysis. Join us for a drinks reception launching the publication, followed by a talk by the author, Anna Bentinck van Schoonheten introduced by Professor Brett Kahr.

Abraham was the first psychoanalyst in Germany, where he brought about a great flourishing of psychoanalysis. His clinical-theoretical contributions quickly became classics that have powerfully influenced the development of psychoanalytic theory. He was the first to develop a psychoanalytic theory of depression, several years before the publication of Freud’s 'Mourning and Melancholia'. Abraham was both supervisor and analyst to Melanie Klein, on whose theoretical work he had a profound influence.

In the 1920s Abraham was the most important analyst of the psychoanalytic movement after Freud. He was president of the International Psychoanalytical Association, president of the Berlin Psychoanalytic Society, and a member of the "secret committee". He was involved in a number of major conflicts of the early years of psychoanalysis, and after his death he was quite often blamed for them. As a consequence, Abraham, so highly valued during his life, was frequently reviled after his death.


Anna Bentinck van Schoonheten, PhD, is a psychoanalyst in private practice in Amsterdam. She is a member of the Dutch Psychoanalytic Group, the Dutch Psychoanalytic Society and the IPA, and President of the Board of the Dutch Journal of Psychoanalysis. She specializes in the early history of psychoanalysis, with a special focus on Freud and the secret committee. She has conducted extensive research on Karl Abraham and the role of the secret committee in the development of psychoanalytic theory.

Professor Brett Kahr has worked in the mental health field for over thirty-five years. He is currently Senior Clinical Research Fellow in Psychotherapy and Mental Health at the Centre for Child Mental Health in London, and Senior Fellow at the Tavistock Centre for Couple Relationships at the Tavistock Institute of Medical Psychology. He has worked in many branches of the psychotherapy profession as clinician, teacher, researcher, author, and broadcaster, having served previously as Resident Psychotherapist on B.B.C. Radio 2. Author of eight books including Life Lessons from Freud and, also, the best-selling Sex and the Psyche, he is also Series Editor of the “Forensic Psychotherapy Monograph Series” for Karnac Books and Series Co-Editor of the “History of Psychoanalysis Series”. He practices psychotherapy with individuals and with couples in Hampstead, North London, and he is a Trustee of the Freud Museum London and of Freud Museum Publications.

More info here.


Mirrors to Windows: The Artist as Woman: a film by Susan Steinberg

4 February 2016 at Freud Museum London


Mirrors to Windows: The Artist as Woman: a film by Susan Steinberg

Screening and panel discussion

Mirrors to Windows takes you on an intimate but fast-paced journey, moving the lens between art and life to reveal the dynamic and multi-faceted story of this enigmatic calling.

It is a unique film following an international cast of three generations of women from Cairo, France, Germany, Lebanon, the United States and the United Kingdom, who are all forging their careers in the heat of the London art scene. Filmed in part at the Freud Museum London following artist Alice Anderson during her 2011 exhibition Childhood Rituals.



The screening will be followed by a panel discussion with Susan Steinberg (Producer and Director), Nermine Hammam (Artist), Joan Thompson (Chair/Psychoanalyst) and Shawn Tower (Psychoanalyst). The panel will discuss the many links between psychoanalysis, creativity and art explored in this thought-provoking documentary.

Organised in association with The British Psychoanalytic Association (BPA).

More info here.

From the 'Authoritarian' to the 'Neo-Liberal' Personality: Understanding the Socio-psychological Roots of Contemporary Right-wing Populism

13 January 2016 at Freud Museum London


From the 'Authoritarian' to the 'Neo-Liberal' Personality: Understanding the Socio-psychological Roots of Contemporary Right-wing Populism

Samir Gandesha

One of the key problems of contemporary politics is the presence and growing power of right-wing populist movements throughout the Western world from the US "Tea Party," to Britain's UKIP to Pediga in Germany and Golden Dawn in Greece. This paper poses the following question: To what extent is it possible to draw upon the social-psychological concept of the "authoritarian personality" in the work of Erich Fromm and Theodor W. Adorno et. al. to understand the distinctive populist personality structure of contemporary neo-liberal capitalism?

Samir Gandesha is an Associate Professor in the Department of the Humanities and the Director of the Institute for the Humanities at Simon Fraser University, Vancouver. He specializes in modern European thought and culture, with a particular emphasis on the 19th and 20th centuries. His work has appeared in Political Theory, New German Critique, Kant Studien, Philosophy and Social Criticism, Topia, the European Legacy, the European Journal of Social Theory, Art Papers, the Cambridge Companion to Adorno and Herbert Marcuse: A Critical Reader as well as in several other edited books. He is co-editor with Lars Rensmann of "Arendt and Adorno: Political and Philosophical Investigations" (Stanford, 2012). His book (coedited with Johan Hartle) "Reification and Spectacle: On the Timeliness of Western Marxism" (University of Amsterdam Press) is forthcoming later this year and he has also recently completed (also with Johan Hartle) "Poetry of the Future: Marx and the Aesthetic." He has recently lectured at the Centre for the Study of Marxist Social Theory at the University of Nanjing, the Taipei Biennale and at the School for Language, Literature and Cultural Studies at Jawaharlal Nehru University in New Delhi.

More info here.
 

"Wittgenstein's Dream" at The Freud Museum London

‘We are asleep. Our life is like a dream. But in our better hours we wake up just enough to realise that we are dreaming.’ - Ludwig Wittgenstein


26 November 2015 - 7 February 2016

Gavin Turk: Wittgenstein's Dream

In association with Ben Brown Fine Arts, curated by James Putnam.

The Freud Museum is pleased to present Wittgenstein’s Dream, an exhibition of work by Gavin Turk and the latest in a critically acclaimed series curated by James Putnam. Turk’s installation and intervention in Freud’s former residence investigates the intriguing conceptual dialogue between two enlightened Viennese thinkers of the 20th century, Sigmund Freud (1856-1939) and Ludwig Wittgenstein (1889-1951).

In 1900 Freud famously published ‘The Interpretation of Dreams’, widely considered his most important work, which introduces his theory of the unconscious. Through the analysis of the philosopher’s own dreams, Freud maintained that dreams are the conscious expression of an unconscious fantasy or wish not accessible to the individual in waking life. However, the celebrated philosopher Wittgenstein claimed that Freud’s views on the interpretation of dreams were flawed, believing instead that they required a more logical approach.

In the hallowed and highly charged domain of Freud’s study Turk presents [ξ, N(ξ)]’(η) (= [η, ξ, N(ξ)]) (2015), a life-size waxwork sculpture of Wittgenstein contemplating an egg. The presence of this ghost-like figure highlights the continued tension between the theories of these two philosophical greats. Above Freud’s psychoanalytic couch hangs Parapraxis (2013), a dramatic large-scale photograph of billowing smoke in which Turk explores the human tendency to instinctively associate patterns and forms with something familiar, much in the same way as we do with dreams.

Above the fireplace in Freud’s library is a wooden framed version of Turk’s celebrated The Mechanical Turk (2006) video. This not only references Freud’s interest in the game of chess and its parallels with psychoanalysis, but also the artist’s ongoing fascination with illusionism and the issues of authorship, authenticity and identity.

In the dining room Turk displays The Metamorphosis of Narcissus (2011), a work highlighting the Narcissus myth which so inspired Freud.

The Metamorphosis of Narcissus
Medium: Digital print on paper
Dimensions: H530 x W350 mm © the artist

As visitors climb the staircase, Turk’s three neon sculptures, Id, Ego and Super Ego (all 2015), emphasise and reiterate the three theoretical constructs that comprise Freud’s structural model of the human psyche. Freud’s paper from 1923, ‘The Ego and the Id’, outlines this theory and was of fundamental importance to the development of psychoanalysis.

In the Exhibition Room Turk has echoed Freud’s iconic desk and chair by installing his own version, Gavin Turk’s Desk (2002-2015). As an ironic contrast to Freud’s beloved antiquities, Turk has arranged his own personal collection of intriguing, talismanic objects and keepsakes that relate to his artistic practice.

ABOUT THE ARTIST

Gavin Turk was born 1967 in Guildford, from 1989-91 he attended the Royal College of Art. For his MA exhibition show Cave, Turk notoriously presented a whitewashed studio space containing only a blue heritage plaque commemorating his presence. Though refused a degree, his subsequent infamy attracted the attention of Charles Saatchi and Turk became part of a loosely associated group known as the ‘Young British Artists’ (YBAs). He has continued to show worldwide and has work in many national museum collections (including Tate and MOMA). His work often deals with concerns of authority and identity and has taken up many forms including the painted bronze, the waxwork, the recycled art-historical icon and the use of litter.

Wittgenstein’s Dream is the latest in the critically acclaimed ongoing series of Freud Museum exhibitions curated by James Putnam that have included projects by Sophie Calle, Sarah Lucas, Ellen Gallagher, Tim Noble & Sue Webster, Mat Collishaw and Miroslaw Balka.

More info here.

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