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Despite his interest in the theoretical advances of psychoanalysis made during what he termed The Kleinian Development, Meltzer believed that clinical supervision was the only way to teach psychoanalytic practice. In effect, he treated supervision as an art form, just as he regarded psychoanalysis as an art form. The library of his supervision work, almost all recorded outside the UK, thus forms a valuable teaching model for future practitioners, as well as demonstrating Meltzer’s wealth of insight into both character development and analytic technique.
With contributions by Catherine Druon, Didier Houzel, Bianca Lechevalier, Ann Levy, Antoine Meyer, Jeanne Pourrinet, and Rosella Sandri.