The 16th International Neuropsychoanalysis Congress - PLASTICITY AND REPETITION - Amsterdam July 9-12, 2015

In psychoanalysis we create conditions for change. Successful treatment leads to many changes - in defenses, representations of self and other, and much more. Given the recent investigation of plasticity in neuroscience, what can we say today about the mechanisms of change in psychoanalysis? And how might this advance our clinical work?

http://www.neuropsa.org.uk/

On the other hand, optimism about plasticity runs the risk of underplaying what analysts also know: personal mental characteristics are actually remarkably durable and tenacious. What can we say today about these counter-mechanisms to change: mental fixity and rigidity?

Our 2015 congress theme Plasticity and Repetition [and other topics] will create space for consideration of this fundamental duality: the potential for change and the limits of change.

Lacan on Madness: Madness, Yes You Can’t (2015)



Buy Lacan on Madness here. - Free delivery worldwide

http://www.amazon.co.uk/gp/product/0415736161/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0415736161&linkCode=as2&tag=freuquot-21&linkId=2XCY4HF74KNRDEXX
This new collection of essays by distinguished international scholars and clinicians will revolutionize your understanding of madness. Essential for those on both sides of the couch eager to make sense of the plethora of theories about madness available today, Lacan on Madness: Madness, Yes You Can’t provides compelling and original perspectives following the work of Jacques Lacan.

Patricia Gherovici and Manya Steinkoler suggest new ways of working with phenomena often considered impermeable to clinical intervention or discarded as meaningless. This book offers a fresh view on a wide variety of manifestations and presentations of madness, featuring clinical case studies, new theoretical developments in psychosis, and critical appraisal of artistic expressions of insanity.

Lacan on Madness uncovers the logics of insanity while opening new possibilities of treatment and cure. Intervening in current debates about normalcy and pathology, causation and prognosis, the authors propose effective modalities of treatment, and challenge popular ideas of what constitutes a cure offering a reassessment of the positive and creative potential of madness. Gherovici and Steinkoler’s book makes Lacanian ideas accessible by showing how they are both clinically and critically useful. It is invaluable reading for psychoanalysts, clinicians, academics, graduate students, and lay persons.

 

Psychoanalysis and Politics - Memory and Counter-memory: 70 years since the liberation of Auschwitz


A one-day Psychoanalysis and Politics symposium to commemorate 70 years of the liberation of Auschwitz and pose the question of what the Shoah means for us today.


Confirmed speakers:

DAVID CESARANI, OBE, Professor, History, Royal Holloway – Survivors as Diagnosticians: Early Attempts to Comprehend the Nazi Catastrophe by Physicians and Psychologists

EDIE FRIEDMAN, Director, Jewish Council for Racial Equality – Jews and the Struggle for Social Justice: Why We Sometimes Fail to Live up to Our Tradition and Experience

GABY GLASSMAN, Psychologist, Psychotherapist, Trustee AJR – Trauma and History: What Do We Do with What Has Happened?

CALUM NEILL, Lecturer, Psychology, Edinburgh Napier University – Not to Naught: Paul Celan and the Necessary Failure of the Ever Coming Word

DAVID POLAK, Psychotherapist, UKCP reg. – Sleeping with the Door Open: The Unconscious Transmission of Intergenerational Trauma

IRENE BRUNA SEU, Reader, Psychosocial Studies, Birkbeck/Psychotherapist, UKCP reg. – Bystanders to Human Rights Violations and Genocide: A Psychosocial Perspective

ZÖE WAXMAN, Associate, Oriental Institute, Oxford – An Exceptional Genocide? Sexual Violence in the Holocaust

Tickets are available from Eventbrite; General admission £ 45. A small number of discounted tickets are available at £ 35 – please only use this option if you really need it. We thank you in advance for additional donations. Lunch is included. Please note that the fee is non-refundable.

Link to register for the symposium


PSYCHOANALYSIS AND POLITICS SYMPOSIUM 2016
SOLIDARITY AND ALIENATION: SOCIAL STRUCTURES OF HOPE AND DESPAIR

The next Psychoanalysis and Politics symposium will take place in Vienna May 6th-8th 2016. The title is Solidarity and Alienation: Social Structures of Hope and Despair. A call for papers and more information is forthcoming Sept./Oct. 2015. The deadline for abstracts will be in November/early December. Venue: the Sigmund Freud University, Campus Prater, Freudplatz 1, A-1020 Wien. See also the guide for abstracts.

 See also


http://www.amazon.co.uk/gp/product/1780491026/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1780491026&linkCode=as2&tag=freuquot-21&linkId=IUTHN6CP6S3MA5MU



http://www.amazon.co.uk/gp/product/1780490070/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1780490070&linkCode=as2&tag=freuquot-21&linkId=3G223ROVHSQSLKHE



http://www.amazon.co.uk/gp/product/1782201394/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1782201394&linkCode=as2&tag=freuquot-21&linkId=AIHK7NSW34ZLPIYV

Eighth European Psychoanalytic Film Festival - 29 October – 1 November 2015, BAFTA London


Eighth European Psychoanalytic Film Festival:
Turning Points, Individuals, Groups, Societies
29 October – 1 November 2015, BAFTA London

The Eighth Psychoanalytic Film Festival (epff8) will show ten extraordinary feature films that reflect the theme Turning Points: Individuals, Groups, Societies. The programme consists of pictures produced in countries including France, Russia and Estonia and that examine the lives of characters from tangerine farmers in Georgia to wealthy financiers in Italy. The Festival offers guests an excellent opportunity to watch some of the most exciting films in contemporary European cinema, including three nominees for the ‘Best Film in a Foreign Language’ prize at the 2015 Academy Awards.







Donald Winnicott Conference - 20-22 November 2015 (London)


20-22 November 2015

The Winnicott Trust announces a conference to be held at the Institute of Psychoanalysis and the Brunei Gallery, London

A celebration of the collected works of D. W. Winnicott: Donald Winnicott and the history of the present

Speakers include: Stefano Bolognine, Vincenzo Bonaminio, Andrea Brady, Matt Ffytche, Juliet Hopkins, Angela Joyce, Anne Karpf, Zeljko Loparic, Lynne Murray, Kenneth Robinson, Rene Roussillon, Kenneth Wright

Conference programme is available to download here.

Early bird discount available from 13 April to 30 June ~ £225.

After 30 June - £ 260.

There will be 50 places available at a cost of £ 150 for psychotherapy/psychoanalytic trainees. Or, full time students on a post graduate course in psychoanalytic studies. Evidence of status will be required. To book a student/trainee place please contact Marjory Goodall at marjory.goodall@iopa.org.uk

To book a place on this conference, please click here.

Psychoanalysis - Introductory Lectures - Autumn term 2015 and Spring term 2016 (London)

Please click on the following centre to book a place at your chosen venue.

Institute of Psychoanalysis (Byron House, Maida Vale, London). Wednesday evenings from 5.45 to 8pm.
Autumn 2015 term - 30 September to 9 December
Spring 2016 term - 13 January to 23 March.
Early bird tickets available until 31 July.

The ORTUS learning and events centre (Camberwell, South London)  Monday evenings from 6.30-8.45pm.
Autumn 2015 term - 28 September to 7 December
Spring 2016 term - 11 January to 21 March
Early bird tickets available until 31 July.

The Centre for Psychotherapy (Knockbracken Healthcare Park, Belfast) Wednesday evenings from 5.30-7.15pm
Autumn 2015 term - 7 October to 16 December
Spring 2016 term - 20 January to 30 March

The Northern School of Child and Adolescent Psychotherapy (Bevan House, 34/36 Springwell Road, Leeds)  Wednesday evenings from 7-9pm
Autumn 2015 term - 23 September to 2 December
Spring 2016 term - 13 January to 23 March

Early bird tickets available until 31 July

For booking fees and additional information on all venues, please see the downloadable brochure.

This two-part series of lectures on psychoanalysis, each followed by a discussion in small groups, provides an overall view of the core concepts in psychoanalysis and their main applicaitons.  Participants are provided with basic texts for each lecture.  Further reading is suggested and is available in the Institute's Library.  The course is suitable for people new in the field, as well as those with experience.

To ensure continuity of discussion, participants are encouraged to attend the entire series of lectures and their accompanying seminars.

For enquiries contact:
Events Officer:  Marjory Goodall, The Institute of Psychoanalysis, Byron House, 112a Shirland Road, Maida Vale, London W9 2BT
Tel:       020 7563 5016
Email:   Marjory.goodall@iopa.org.uk
www.beyondthecouch.org.uk
www.psychoanalysis.org.uk

Download Brochure

The Greening of Psychoanalysis Conference 2015 (London)

Location: Institute of Psychoanalysis - Click for map

This conference is open to all members of the British Psychoanalytical Council; other interested parties are welcome at the discretion of the organising committee. Please contact Marjory Goodall - marjory.goodall@iopa.org.uk for advice.

Friday 18th September (evening) reception - 18:30 - 20:45pm

Saturday 19th September 2015 Conference - 08.30 - 17.15pm

Speakers:

Jan Abram (UK)

Litza Green (France)

Gregorio Kohon (UK)

Michael Parsons (UK)

Rosine Jozef Perelberg (UK)

Jed Sekoff (USA)

Fernando Urribarri (Argentina)

Conference fee: £ 140. Click here to book online.

Green’s work constitutes a paradigmatic shift in psychoanalysis. Green drew a clear distinction between neurotic and borderline patients, each type conforming to a different psychic organisation, and requiring alternative ways of analytic listening. Bion and Winnicott have been highly influential in his work, in addition to Freud, as he was deeply impressed by their clinical and theoretical innovations. Nevertheless, two different contemporary paradigms derived from his writings have been established: one assumes the existence of an object, be it good or bad, benign or malignant, present or absent, from the beginning of life. In the second paradigm, the very question of representation, a basic function of the mind, has been expanded, its understanding having become somewhat more complex. It is now possible to ponder how a memory is capable of not being represented: the original object may not have existed or it might not have been registered as a presence in the psyche of the subject. Such patients cannot symbolise the trauma nor can they contain the destructiveness present in their predicament.

Throughout this day and a half, leading international thinkers in contemporary psychoanalysis will offer their reflections on the way Andre Green has influenced their clinical work and theoretical developments.

CONFERENCE PROGRAMME

Friday evening:

6:30-7:15 Reception

7:15-7:25 Introduction - Jan Abram

7:25-7:40 Opening remarks - Litza Green

7:40-8:45 Andre Green Itinerary: Keys Ideas Revisited (1960/2011) - An interview with Andre Green (film, with Fernando Urribarri)

Chair: Gregorio Kohon

Saturday - Morning:

8:30-:9:30 Registration and coffee

9:35-10:10 Rosine Jozef Perelberg: The Framing Structure and its Representation in the Analytic Setting

10:10-10:50 Jed Sekoff: Troubled Bodies: Hypochondria, Transformation, and the Work of the Negative

10:50-11: 20 Coffee break

11:20-11:55: Gregorio Kohon: Space and Time in the Aesthetics of Eduardo Chillida

11:55-13:00 Open Discussion

Chair for the morning session: Jan Abram

13:00-14:30 Lunch

Saturday - Afternoon:

2:30-3:15 Michael Parsons: Intellectual Generosity: the Greekness of Green.

15-3:45 Coffee break

3:45-4:30 Fernando Urribarri: On Clinical Thinking: from the Extension of the Psychoanalytic Field toward a New Contemporary Paradigm

16:30-17:15 Open Discussion

Chair for the afternoon session: Rosine Jozef Perelberg

Observation II: Clinical Concerns and Research on the Couch - 11 July, 2015 (London)

Saturday 11 July 2015, 9.30am-4pm

Institute of Psychoanalysis, Byron House, 112A Shirland Road, W9 2BT

Psychoanalysts Nicola Abel-Hirsch & Chris Mawson and Philosopher of Science Jim Hopkins will present aspects of Bion’s ‘tools of observation’, the presentations then being discussed by Robert Hinshelwood (Psychoanalyst & Author of Research on the Couch, 2013) and Denis Flynn (Psychoanalyst). The aim of the day is to explore what we can learn from Bion about observation, and to contribute to the timely question of psychoanalytic ‘research on the couch’. The conference will develop the work of the 2014 conference on Observation, but is also designed for people who did not attend the previous conference.

Invariants: Nicola Abel-Hirsch

Bion draws attention to the hindrance which ‘memories, desires and existing understanding’ are to observation. For what reason are we to clear our minds of them - in order to observe new phenomena? In fact, it is crucially, to be able to observe the ‘invariants embedded’ in mental phenomena. Invariants are characteristic, not of permanence - even rigidity - but of transformation; and I will discuss Bion’s enquiry into the significance of this for clinical observation.


Intuition and Imagination: Chris Mawson

Intuition is the term that Bion came to use for specifically psychoanalytic observation. This was because he wanted a name for the apprehension of what he, and Freud before him, called psychical as contrasted with material qualities. The conditions for intuition in the analytic setting will be explored using the term Bion used to subsume these features of psychoanalytic attention – Negative Capability. Further to this, the role of imagination will be considered as an indispensable part of our method – a partner to analytic intuition.


Bion through the lens of neuroscience: Jim Hopkins

Many of Bion’s claims about the observing subject can now be represented in contemporary neuroscientific accounts of the primary and secondary processes and their role in development over the first year of life. Understanding them in this way promotes both appreciation of their accuracy and relates clinical practice to a richer and more encompassing theoretical background.


Tickets

Standard £50

Trainee £45

Student £40

Tickets to the event include lunch.

Booking

To book a ticket, please click here.

For inquires and further information, please contact Becca Harrison (becca.harrison@iopa.org.uk or 020 7563 5017).

Institute of Psychoanalysis - Summer School - July 8-10, 2015 (London)

Institute of Psychoanalysis Summer School


Birkbeck, University of London

July 8-10, 2015, 10am-6pm

The Institute of Psychoanalysis is offering a three-day introduction to key concepts in psychoanalysis at Birkbeck, University of London. Our inaugural Summer School will give you the opportunity to meet practicing analysts who will lead seminars and discussions about current topics in the field.

Confirmed speakers include Stephen Grosz, Daniel Pick, David Bell, Gigliola Fornari Spoto, Jonathan Sklar, Rachel Chaplin, Kate Pugh, Luis Rodríguez de la Sierra and Mary Target.

Registration

The Summer School welcomes current undergraduate and postgraduate students from any discipline or background.

To register, click here.

Programme

The provisional programme is available to download at the bottom of the page.

Registration waivers

If you would like to attend the Summer School but cannot afford to do so, we have a limited number of registration waivers available. Please contact Becca Harrison at becca.harrison@iopa.org.uk with your details. Registration waivers will be granted on a case-by-case basis.

Download 

The Stuff of Dreams: Shakespeare on the Screen (London)

Location: ICA - Click for map

June 28, 10.00-1.30

Trends in Shakespeare on Stage and Screen: Michael Billington in Conversation with David Bell

Followed by a plenary discussion and a reception to celebrate the end of the 'Shakespeare on the Screen' series

“This series, now extending into its second year, will offer you the opportunity to watch and reflect upon twelve remarkable films of (or based on) Shakespeare works – tragedies, comedies and historical plays. The Bard’s extraordinary understanding of the complexities of the human mind, and his virtuosic way with words, will be explored by psychoanalysts familiar with his work as well as prominent actors, directors, and critics with an intimate knowledge of the Shakespearean world. As always, you will be warmly invited to take part in discussions which we anticipate will be stimulating and enriching. We look forward to seeing you there” - Andrea Sabbadini, Series Chair

Tickets

Single Tickets: £20.00 (concessions £15.00)

Spring Term: £72.00 (concessions £54.00)

Both Terms: £128.00 (concessions £96.00)

Booking

For online booking please click here.

Cheques made out to The Institute of Psychoanalysis should be sent to: Shakespeare Films and Discussions, The Institute of Psychoanalysis, Byron House, 112A Shirland Road, London W9 2BT.

Further details at http://couchandscreen.org/. Alternatively, contact Becca Harrison by email (becca.harrison@iopa.org.uk) or phone (0207 563 5017).

The International Psychoanalytic Summer Institute in Tuscany Italy

http://psychoanalytic-summer-institute.org/
The International Psychoanalytic Summer Institute, a first endeavour of its kind, will bring together an international roster of psychoanalytic thinkers to engage in teaching and in discussions regarding some of the most challenging current-day issues psychoanalysts and other psychodynamic therapists encounter in their daily work.

The Six Seminars to choose from:

Aug 3-5 Annie Reiner & Ofra Eshel – Encounters with the Deep – The Unknowable and Unthinkable in Bion’s and Winnicott’s Late Writings

Aug 10-12Virginia Goldner & Offer Maurer – Reworking Gender and Sex into Psychoanalysis: Can There be Joy for The Perplexed Clinicians?

Aug 17-19Muriel Dimen & Asaf Rolef Ben Shahar – Speaking in Tongues: On The Clinical Decision Whether to Speak or Remain Silent

Aug 24-26Sue Grand & Lynne Layton – Enacting Identity: Clinical Impasses, Cultural Critique

Aug 31 – Sep 2Michael B. Buchholt & Elisabeth Fivaz – Communicative Dance and Insight: Charting the Role of Implicit Communication in Co-Parenting and in Therapy

Sep 7 – Sep 9Paul Wacthel & Sharon Ziv Beiman – Cyclical Psychodynamics: Addressing Affect, Attachment, And Action in an Integrative Therapeutic Approach


The International Psychoanalytic Summer Institute will take place in Tuscany Italy, one of the most beautiful places on earth. We will be convening in a dream-like hilltop castle from the 13th century (seminars 1-4) or in an enchanting hilltop Tuscan villa (semiars 5-6), both overlooking some of Chianti region’s most beautiful valleys. Only 30 participants or so will be invited to join us each for a week’s stay at a time (seminar itself running from Monday afternoon till Wednesday afternoon). A total of 15 academic hours (spread over 1 full day and 2 half days) will enable participants a deep immersive learning experience together with a one of a kind opportunity for recreation, rest and wellness.

The organizers: The International Summer Institute was founded by The New School for Psychotherapy, a continuing-education academic institute for mental health professional, directed by Dr. Offer Maurer, a clinical psychologist.

IPA Video Award 2015: VOTE NOW!

Voting is open to all. The deadline for votes is: 30 JUNE.

http://www.ipa.org.uk/
The IPA (International Psychoanalytical Association) Video Jury has shortlisted 5 videos . The Jury was interested in collecting videos created by people outside psychoanalysis and non- professionals. The Award is aimed at young people, and the Jury expected to receive fresh and original visual feedback in the way in which the topic of psychoanalysis is perceived and represented among the younger generation.

After watching the 5 videos below (each is around 4 mins.long) , please click on the voting link to cast your vote.



Parenthesis by Roxana Reiss



Psychoanalysis: "A door to hope" by Gonzalo Arenas Norton



The journey by Romina Ciulli



The Strangerness Within by Jonathan Isserow




Waxing Stone by Anna Freudenthaler




Now it's time to cast your vote:

49th IPA Congress: Changing World - The Shape and Use of Psychoanalytic Tools Today

IPA Congress 2015. 22-25 July ‪‎Boston‬, USA.

We are living in a fast-changing world, which challenges the psychoanalytic ideals of reflection and time for thought. How do these changes affect the mind, our technique, and our consulting rooms?

https://www.ipa.org.uk/

The tools and theories we use to attend those who seek psychoanalytic treatment are one of the main focuses of this Congress. How have we developed? Have we more to offer today than 50 or 100 years ago? How have new technologies and other changes influenced our practice, and how are we answering these various challenges? What are the further developments in technique and how do we deal with the impact of technology and high mobility in our practice? The clinical and theoretical presentations at this Congress will show how each analyst works through and thinks about these changes.

There will be a new initiative at this Congress, the ‘Boston Groups’, where small, international groups of Members, Candidates and non-members will be able to meet before (online) and during the Congress to discuss the main Congress themes. This will be an opportunity for you to participate more directly and actively in the Congress proceedings and to benefit from the extraordinary diversity of participants at IPA Congresses.

For more information please visit IPA Congress website: www.ipa.org.uk/Congress

Festival of the Unconscious - 24 June 2015 – 4 October 2015 (London)

The Unconscious Revisited at the Freud Museum London

The Freud Museum -Sigmund Freud’s final home- invites artists, designers, writers and performers to revisit Freud’s paper The Unconscious (1915) during The Festival of the Unconscious.

Animation still, students from Kingston University

Exciting things are happening at the Freud Museum London this summer. A century after Sigmund Freud’s revolutionary ideas reached a wider public, his final home, dedicated to preserving his legacy, has invited artists, designers, writers and performers to revisit Freud’s seminal paper The Unconscious (1915)



Using a combination of psychological games, scientific and historical information and engaging displays and workshops, The Festival of the Unconscious will encourage visitors to think and learn about the unconscious mind and how it influences our behaviour.

The Museum will become a strange and mysterious place, where writings, objects and artistic works will offer insights into unconscious experience. Newly commissioned films by animators from Kingston University will weave through the house; sound and video installations by London-based art project Disinformation will occupy the dining room, and an installation by stage designers from the Royal Central School of Speech and Drama, inspired by the work of cosmologist Carlos Frenk, will spectacularly transform Freud’s study. Visitors can contemplate their own unconscious associations through a personal display developed by Julian Rothenstein, co-author of the best-selling ‘Psychobox’. Finally there will be the unique opportunity of reclining and free-associating on a psychoanalytic couch, in Freud’s bedroom.

As part of the “Festival of the Unconscious” exhibition, the Freud Museum presents a sound and video installation titled “The Portrait of Jean Genet” by Disinformation. The installation is based on the final interview given by the French burglar, prostitute and playwright Jean Genet, shortly before his death.

Artistic contributions include The Dream Collector by Melanie Manchot, a 5-channel synched video and sound installation filmed in Mexico City - on view for the first time in the UK. Collaborative artists Brass Art present a video piece which uses Kinect scanners to capture intimate-scaled performances in the museum with sound composed by Monty Adkins. Other works include ‘the unconscious project’ by art therapists teaching on the MA Art Psychotherapy course at Goldsmiths, University of London, while Sarah Ainslie and Martin Bladh will display works offering modern takes on the ‘Thematic Apperception Test’ and the Rorschach ink blot test.

The Dream Collector, Melanie Manchot © the artist

A season of wide-ranging and imaginative events, conferences and workshops accompany the exhibition. Highlights include Digging the Unconscious, a participatory archaeological dig in Freud’s garden, with performance artist lili Spain on 9 August, and a major interdisciplinary conference with keynote speaker Mark Solms on 26/27 September. You can unlock your unconscious with workshops in drama, poetry and art, while Hip Hop poet Reveal will perform and talk about Freestyle Rap and its relation to unconscious communication.

After the exhibition is over, the Festival events still continue with a major conference jointly organised with the British Journal of Psychotherapy. Mentalization and the Unconscious will take place on 28th November, with keynote speakers Nicola Abel-Hirsch, Catherine Freeman, Jean Knox, and Mary Target. Co-organiser and chair for the day is BJP editor, Ann Scott.

Have you ever done something without knowing why?

Despite the fact that the term is now associated with Freud, the existence of unconscious processes in the mind was recognised long before him. What Freud introduced was the revolutionary notion of a dynamic unconscious, working in a different way from consciousness, with its own kind of logic. He posited a part of the mind in which ideas associated with ‘wishful impulses’, childhood experiences and unacceptable thoughts are hidden from conscious awareness but continue to motivate our behaviour. Starting with his own dreams, he went on to show that the unconscious reveals itself not only in the unexplained symptoms of ‘mental illness’ but in countless manifestations of everyday life.

We laugh at a joke, but we don’t know why. A slip of the tongue reveals an embarrassing thought or a hidden intention. Thoughts come into our head, but where do they come from? We repeat patterns of self-destructive behaviour or plague ourselves with irrational fears. It is as if everything we do or say has a hidden dimension, a sub-text. The discovery of the unconscious means that we are no longer ‘masters in our own house’ – we literally do not know who we are.

http://www.amazon.co.uk/gp/product/0141183888/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0141183888&linkCode=as2&tag=freuquot-21&linkId=MPSWKV4Y4AFZA5MOIn 1915, Freud wrote his paper on The Unconscious, which was an attempt to give scientific account of how the unconscious works. It is not an entirely successful paper, grappling as he is with the ‘unknown’. He makes hypotheses, modifies them, tries again. Freud often finds himself in the position of a cosmologist, trying to give an account of what is in a black hole, or what ‘cold dark matter’ is composed of. They just don’t know. But they know dark matter and black holes exist, obey their own laws and affect the galaxies in which they find themselves.

Freud’s metapsychology may not have the same impact as his captivating case histories or his books on dreams, jokes, and slips of the tongue, but his 1915 paper established ‘the unconscious’ as the principal object of psychoanalysis and the key term of its theory.

The Festival of the Unconscious invites visitors to explore Freud’s challenging idea through talks, performances and a major exhibition. As befits such an elusive concept, most of the works on display are not designed to transmit knowledge, but to evoke something of the visitor’s own unconscious. By engaging with them, we hope visitors may catch a glimpse of a world that is both strange and familiar.

Festival of the Unconscious
24 June 2015 – 4 October 2015

The Freud Museum
20 Maresfield Gardens
London NW3 5SX

Sigmund Freud and his Family

The family of Sigmund Freud, the pioneer of psychoanalysis, lived in Austria and Germany until the 1930s before emigrating to England, Canada and the United States. Several of Freud's descendants have become well known in different fields.

Freud family portrait, 1876. Standing left to right: Paula, Anna, Sigmund, Emmanuel, Rosa and Marie Freud and their cousin Simon Nathanson. Seated: Adolfine, Amalia, Alexander and Jacob Freud. The other boy and girl are unidentified.

Freud's parents and siblings

Sigmund Freud (1856–1939) was born to Jewish Galician parents in the Moravian town of Příbor (German: Freiberg), which was then in the Austrian Empire, now in the Czech Republic. He was the eldest child of Jacob Freud (1815–1896), a wool merchant, and his third wife Amalia Nathansohn (1835–1930). Jacob Freud had two children from his first marriage to Sally Kanner (1829–1852):
  1. Emanuel (1833–1914)
  2. Philipp (1836–1911)
Jacob's second marriage (1852–1855) to Rebecca (origin uncertain) was childless. With Amalia he had eight children:
  1. Sigmund (birth name Sigismund Schlomo; 6 May 1856–23 September 1939)
  2. Julius (October 1857–15 April 1858)
  3. Anna (31 December 1858–11 March 1955)
  4. Regina Debora (nickname Rosa; born 21 March 1860, deported 23 September 1942)
  5. Marie (nickname Mitzi; born 22 March 1861, deported 23 September 1942)
  6. Esther Adolfine (nickname Dolfi; 23 July 1862–5 February 1943, deported)
  7. Pauline Regine (nickname Pauli; born 3 May 1864, deported 23 September 1942)
  8. Alexander Gotthold Ephraim (19 April 1866–23 April 1943)

      Freud (aged 16) and his beloved mother, Amalia, in 1872

      Julius Freud died in infancy. Anna married Ely Bernays (1860–1921), the elder brother of Sigmund's wife Martha. There were four daughters: Judith (b. 1885), Lucy (b. 1886), Hella (b. 1893), Martha (b. 1894) and one son, Edward (1891–1995). In 1892 the family moved to the United States where Edward Bernays became a major influence in modern public relations.

      Rosa (Regina Deborah Graf-Freud) married a doctor, Heinrich Graf (1852–1908). Their son, Hermann (1897-1917) was killed in the First World War; their daughter, Cacilie (1899-1922), committed suicide after an unhappy love affair.

      Mitzi (Maria Moritz-Freud) married her cousin Moritz Freud (1857–1922). There were three daughters: Margarethe (b. 1887), Lily (b. 1888), Martha (1892-1930) and one son, Theodor (b. 1904) who died in a drowning accident aged 23. Martha, who was known as Tom and dressed as a man, worked as a children’s book illustrator. After the suicide of her husband, Jakob Seidman, a journalist, she took her own life. Lily became an actress and in 1917 married the actor Arnold Marlé.

      Dolfi (Esther Adolfine Freud) did not marry and remained in the family home to care for her parents.

      Pauli (Pauline Regine Winternitz-Freud) married Valentine Winternitz (1859–1900) and emigrated to the United States where their daughter Rose Beatrice was born in 1896. After the death of her husband she and her daughter returned to Europe.

      Alexander Freud married Sophie Sabine Schreiber (b. 1878). Their son, Harry, born in 1909, emigrated to the United States and died in 1968.

      Both Freud’s half-brothers emigrated to Manchester, England, shortly before the rest of the Freud family moved from Leipzig to Vienna in 1860.

      Emanuel and Marie Freud (1836–1923) married in Freiberg where their first two children were born: John (b. 1856, disappeared pre-1919), the "inseparable playmate" of Freud’s early childhood; and Pauline (1855–1944). Two children were born in Manchester: Bertha (1866–1940) and Samuel (1870–1945). Freud kept in touch with his British relatives through a regular correspondence with Samuel. They would eventually meet for the first time in London in 1938.

      Philipp Freud married Bloomah Frankel (b. 1845 Birmingham, d.1925 Manchester). There were two children: Pauline (1873–1951) who married Fred Hartwig (1881–1958); and Morris (b. 1875 Manchester, d.1938 Port Elizabeth, South Africa).


      Persecution and emigration

      Sigmund Freud, 1926.
      The systematic persecution of Jews by Nazi Germany and the ensuing Holocaust had a profound effect on the family. Four of Freud's five sisters died in concentration camps: Rosa in Auschwitz, Mitzi in Theresienstadt, Dolfi and Paula in Treblinka. Freud's brother, Alexander, escaped with his family to Switzerland shortly before the Anschluss and they subsequently emigrated to Canada. Freud's sons Oliver, a civil engineer, and Ernst Ludwig, an architect, lived and worked in Berlin until Hitler came to power in Germany in 1933 after which they fled with their families to France and London respectively. Oliver Freud and his wife later emigrated to the United States. Their daughter, Eva, remained in France with her fiance where she died of influenza in 1944.

      Freud and his remaining family left Nazi-occupied Vienna in 1938 after Ernest Jones, the then President of the International Psychoanalytic Association, secured immigration permits for them to move to Britain. Permits were also secured for Freud’s housekeeper and maid, his doctor, Max Schur and his family, as well as a number of Freud's colleagues and their families. Freud's grandson, Ernst Halberstadt, was the first to leave Vienna, initially for Paris, before going on to London where after the war he would adopt the name Ernest Freud and train as a psychoanalyst. Next to leave for Paris were Ernestine, Sophie and Walter Freud, the wife and children of Freud's eldest son, Martin. Walter joined his father in London. His mother and sister remained in France and subsequently emigrated to the United States. His maternal grandmother, Ida Drucker, was deported from Biarritz in 1942 and died in Auschwitz. Freud’s sister-in-law, Minna Bernays, was the first to leave for London early in May 1938. She was followed by his son, Martin, on 14 May and then his daughter Mathilde and her husband, Robert Hollitscher, on 24 May. Freud, his wife and daughter, Anna, left Vienna on 4 June, accompanied by their household staff and a doctor. Their arrival at Victoria Station, London on 6 June attracted widespread press coverage. Freud’s Vienna consulting room was replicated in faithful detail in the new family home, 20 Maresfield Gardens in Hampstead, North London.

      Martin and Walter Freud were both interned in 1940 as enemy aliens. Following a change in government policy on internment, both were subsequently recruited to the Pioneer Corps. After the war, denied recognition as a (Vienna trained) lawyer by the British legal profession, Martin Freud ran a tobacconist’s in Bloomsbury. Walter was deported to an internment camp in New South Wales, Australia. On his return to England in 1941 he was recruited to the Pioneer Corps and subsequently to the SOE. In April 1945 he was parachuted behind enemy lines in Austria. Advised to change his name in case of capture, he refused, declaring : “I want the Germans to know a Freud is coming back”. He narrowly survived separation from his comrades and took the leading role in securing the surrender of the strategically important Zeltweg aerodrome in southern Austria. When the war ended he was assigned to war crimes investigation work in Germany. The fate of his great aunts and maternal grandmother at the hands of the Nazis meant he was particularly pleased to help secure the prosecution of directors of the firm that supplied Zyklon B gas to the concentration camps, two of whom were executed for war crimes. In 1946 he left the army with the rank of major. The following year he was he was granted British citizenship and resumed his career as an industrial chemist. Retribution for the murder of his great aunts was also a concern for Alexander Freud’s son Harry. He arrived in post-war Vienna as a US army officer to investigate the circumstances of their deportation and helped track down and bring before the courts Anton Sauerwald, the Nazi appointed official charged with the supervision of the Freuds’ assets. Sauerwald gained early release from prison in 1947 when Anna Freud intervened on his behalf, revealing that he had "used his office as our appointed commissar in such a manner as to protect my father".


      Freud's children and descendants

      Sigmund Freud married Martha Bernays (1861–1951) in 1886. Martha was the daughter of Berman Bernays (1826–1879) and Emmeline Philipp (1830–1910). Her grandfather, Isaac Bernays (1792–1849), was a Chief Rabbi of Hamburg. Her sister, Minna Bernays (1865-1941), became a permanent member of the Freud household after the death of her fiancé in 1895.

      Sigmund Freud’s family in 1898. Front row: Sophie, Anna and Ernst Freud. Middle row: Oliver and Martha Freud, Minna Bernays. Back row: Martin and Sigmund Freud.

      Sigmund and Martha Freud had six children and eight grandchildren:
      1. Mathilde Freud (1887–1978) married Robert Hollitscher (1875–1959), and had no children
      2. Jean-Martin Freud (1889–1967, known as Martin Freud) married Esti Drucker (1896–1980), and had 2 children:
        1. Anton Walter Freud (1921–2004) married Annette Krarup (1925–2000); 3 children
          1. David Freud (born 1950, later Lord Freud), married and had 3 children:
            1. Andrew Freud
            2. Emily Freud
            3. Juliet Freud
          2. Ida Freud (born 1952), married N. Fairbairn
          3. Caroline Freud (born 1955), married N. Penney
        2. Sophie Freud (born 1924) married Paul Loewenstein (born 1921), and had 3 children:
          1. Andrea Freud Loewenstein
          2. Dania Loewenstein, married S. Jekel
          3. George Loewenstein
      3. Oliver Freud (1891–1969) married Henny Fuchs (1892–1971), and had 1 child:
        1. Eva Freud (1924–1944)
      4. Ernst Ludwig Freud (1892–1970) married Lucie Brasch (1896–1989), and had 3 children:
        1. Stephan Freud (1921-2014, known as Stephen Freud) married (i) Lois Blake (born 1924); (ii) Christine Ann Potter (born 1927). From his marriage to Lois Blake he had 1 child:
          1. Dorothy Freud
        2. Lucian Freud (1922–2011) married (i) Kathleen Garman (1926–2011), 2 children; (ii) Lady Caroline Blackwood (1931–1996). He also had 4 children by Suzy Boyt, 4 by Katherine McAdam (died 1998), 2 by Bernardine Coverley (died 2011), 1 by Jacquetta Eliot, Countess of St Germans and 1 by Celia Paul. His children include:
          1. Annie Freud (born 1948)
          2. Annabel Freud (born 1952)
          3. Alexander Boyt (born 1957)
          4. Jane McAdam Freud (born 1958)
          5. Paul McAdam Freud (born 1959)
          6. Rose Boyt
          7. Lucy McAdam Freud (born 1961) married Peter Everett; 2 children
          8. Bella Freud (born 1961) married James Fox; 1 child
          9. Isobel Boyt (born 1961)
          10. Esther Freud (born 1963) married David Morrissey; 3 children
          11. David McAdam Freud (born 1964), 4 children. Partner of Debbi Mason
          12. Susie Boyt (born 1969) married to Tom Astor; 2 children
          13. Francis Michael Eliot (born 1971)
          14. Frank Paul (born 1984)
        3. Clement Freud (1924–2009, later Sir Clement Freud) married June Flewett (stage name Jill Raymond)[24] in 1950 and had 5 children:
          1. Nicola Freud, married to Richard Allen, had 5 children:
            1. Tom Freud (born 1973)
            2. Jack Freud, married to Kate Melhuish
            3. Martha Freud
            4. Max Freud (born 1986)
            5. Harry Freud (born 1986)
          2. Dominic Freud (born 1956) married to Patty Freud, and had 3 children (Nicholas, 21, Joshua, 19, and Sophie, 17)
          3. Emma Freud (born 1962) partner of Richard Curtis, and had 4 children
          4. Matthew Freud (born 1963) married: (i) Caroline Hutton, and had 2 children; (ii) Elisabeth Murdoch, and had 2 children
          5. Ashley Freud (adopted nephew)
      5. Sophie Freud (1893–1920) married Max Halberstadt (1882–1940), and had 2 sons:
        1. Ernst Halberstadt (1914–2008, also known as Ernest Freud) married Irene Chambers (born 1920), and had 1 child:
          1. Colin Peter Freud (1956–1987)
        2. Heinz Halberstadt (1918–1923, also known as Heinele)
      6. Anna Freud (1895–1982)
      Sigmund and his daughter Anna Freud (1913)

      Bibliography
      • Clark, Ronald W. (1980). Freud: the Man and His Cause. London: Jonathan Cape.
      • Cohen, David (2009). The Escape of Sigmund Freud. London: JR Books.
      • Fry, Helen (2009). Freuds' War. Stroud: The History Press.
      • Jones, Ernest (1953). Sigmund Freud: Life and Work (VOL 1: THE YOUNG FREUD 1856–1900). London: Hogarth Press.
      • Young-Bruehl, Elizabeth (2008). Anna Freud. Yale University Press.



      Nietzsche’s 10 Rules for Writers



      Between August 8 and August 24 of 1882, Friedrich Nietzsche set down ten stylistic rules of writing in a series of letters to the Russian-born writer, intellectual, and psychoanalyst Lou Andreas-Salomé — One of the First Female Psychoanalysts .

      Salomé's mother took her to Rome, Italy when she was 21. At a literary salon in the city, Salomé became acquainted with Paul Rée, an author and compulsive gambler with whom she proposed living in an academic commune. After two months, the two became partners. On 13 May 1882, Rée's friend Friedrich Nietzsche joined the duo. Salomé would later (1894) write a study, Friedrich Nietzsche in seinen Werken, of Nietzsche's personality and philosophy. The three travelled with Salomé's mother through Italy and considered where they would set up their "Winterplan" commune. Arriving in Leipzig, Germany in October, Salomé and Rée separated from Nietzsche after a falling-out between Nietzsche and Salomé, in which Salomé believed that Nietzsche was desperately in love with her.

      Left to right, Andreas-Salomé, Rée and Nietzsche (1882) A comical scene laid out by Nietzsche, as a sort of a lament by both himself and his friend, Paul, the two of whom had both recently been rejected after proposing marriage to one Lou Salomé (the relentless 'cart driver'). Photographed in the studio of Jules Bonnet in Lucerne in 1882.

      The list reads:
      1. Of prime necessity is life: a style should live.

      2. Style should be suited to the specific person with whom you wish to communicate. (The law of mutual relation.)

      3. First, one must determine precisely “what-and-what do I wish to say and present,” before you may write. Writing must be mimicry.

      4. Since the writer lacks many of the speaker’s means, he must in general have for his model a very expressive kind of presentation of necessity, the written copy will appear much paler.

      5. The richness of life reveals itself through a richness of gestures. One must learn to feel everything — the length and retarding of sentences, interpunctuations, the choice of words, the pausing, the sequence of arguments — like gestures.

      6. Be careful with periods! Only those people who also have long duration of breath while speaking are entitled to periods. With most people, the period is a matter of affectation.

      7. Style ought to prove that one believes in an idea; not only that one thinks it but also feels it.

      8. The more abstract a truth which one wishes to teach, the more one must first entice the senses.

      9. Strategy on the part of the good writer of prose consists of choosing his means for stepping close to poetry but never stepping into it.

      10. It is not good manners or clever to deprive one’s reader of the most obvious objections. It is very good manners and very clever to leave it to one’s reader alone to pronounce the ultimate quintessence of our wisdom.

      Beneath the list, Andreas-Salomé reflects on Nietzsche’s style in light of his aphoristic predilection:

      “To examine Nietzsche’s style for causes and conditions means far more than examining the mere form in which his ideas are expressed; rather, it means that we can listen to his inner soundings. [His style] came about through the willing, enthusiastic, self-sacrificing, and lavish expenditure of great artistic talents … and an attempt to render knowledge through individual nuancing, reflective of the excitations of a soul in upheaval. Like a gold ring, each aphorism tightly encircles thought and emotion. Nietzsche created, so to speak, a new style in philosophical writing, which up until then was couched in academic tones or in effusive poetry: he created a personalized style; Nietzsche not only mastered language but also transcended its inadequacies. What had been mute, achieved great resonance.”

      The list comes from the book “Nietzsche” written by Salomé long after their friendship had ended. It provides a retrospective of Nietzsche’s life and philosophical career. (Nietzsche by Lou Andreas-Salomé)

      See also:



      http://www.amazon.co.uk/gp/product/1848310099/ref=as_li_ss_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1848310099&linkCode=as2&tag=freuquot-21

      Nietzsche by Lou Andreas-Salomé




      http://www.amazon.co.uk/gp/product/0252070356/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0252070356&linkCode=as2&tag=freuquot-21&linkId=IEDT3WTLAOF45KL5
      This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salom, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting. Published in 1894 as its subject languished in madness, Salom's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works. Salom's provocative conclusion - that Nietzsche's madness was the inevitable result of his philosophical views - generated considerable controversy. Nietzsche's sister, Elisabeth Frster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche." Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salom and Nietzsche together and the ideological conflicts that drove them apart.



      http://freudquotes.blogspot.co.uk/2015/06/lou-andreas-salome-quotes.html

      Rilke and Andreas-Salomé: A Love Story in Letters




      http://www.amazon.co.uk/gp/product/0393331903/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0393331903&linkCode=as2&tag=freuquot-21&linkId=XMB5ELS6CJYUW22R
      He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siecle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salome, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protege, and as deep personal and literary allies.






      http://freudquotes.blogspot.co.uk/2015/06/lou-andreas-salome-quotes.html

      The Erotic by Lou Andreas-Salomé




      http://www.amazon.co.uk/gp/product/1412853842/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1412853842&linkCode=as2&tag=freuquot-21&linkId=WEVBXA3OR6VSO62K
      Psychoanalyst and author Lou Andreas-Salomé may seem to be a figure remote from us, one belonging to a pre-1914 Europe, but in many ways, she is our contemporary. She travelled in a highly romantic world as socialite, sociologist, and author. She was part of Georg Simmel's salon, the most exclusive in Berlin, frequented by elusive poet Stefan Georg, dramatist Paul Ernst, social theorist and polymath Max Weber, and Georg Lukács, among others. Salomé's unique contribution to the erotic was that she argued sexual difference ran deeper than economics and equality-the politics of Marx and the ideals of the French Revolution. For Salomé, to think about women and their erotic nature, you must start with their biological and psychological difference, not their economic situation. Salomé was an outstanding theorist. Her books on Nietzsche and on Rilke are major studies. The field of psychoanalysis would not have developed in the way it did without Lou Andreas-Salomé. We cannot understand Freud's "rationalism" or his anti-religious sensibility without Salomé's writings. This new English translation is an essential text of psychoanalysis, one that shaped the very conception of the field.


      http://freudquotes.blogspot.co.uk/2015/06/lou-andreas-salome-quotes.html

      Woman and Modernity: The (Life) Styles of Lou Andreas-Salome




      http://www.amazon.co.uk/gp/product/0801499070/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0801499070&linkCode=as2&tag=freuquot-21&linkId=HWAKZIUT2U4KSPEN
      Woman and Modernity provides what previous studies of Salomé have in large part neglected to offer―a sustained investigation of the literariness of Salomé's texts and of Salomé as a significant reader of modernity. Focusing on key encounters in Salomé's writings, such as her exchanges with Nietzsche, Ibsen, Rilke, Freud, and late nineteenth-century middle-class German feminists such as Dohm and Stucker, Martin approaches Salomé's life and work as a series of strategic negotiations concerning the place of women and the meaning of femininity.




      http://freudquotes.blogspot.co.uk/2015/06/lou-andreas-salome-quotes.html

      Image in Outline: Reading Lou Andreas-Salom




      http://www.amazon.co.uk/gp/product/1628920173/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1628920173&linkCode=as2&tag=freuquot-21&linkId=KE5WGSS5NBNXCEBO
      Image in Outline introduces the reader to Lou Andreas-Salomé's significant engagement with modern thought. Through detailed explorations o fsome of her major texts, Brinker-Gabler examines Andreas-Salomé's contributions to contemporar ydiscourses on meaning, perception, memory, and the unconscious. Situating her analyses within Andreas-Salomé's historical, social, and intellectual contexts, this new reading utilizes a theoretical frame informed by thinkers such as Benjamin, Bergson, and Freud, and current theoretical perspectives by Irigaray, Grosz, and Kristeva.

      Brinker-Gabler argues that Andreas-Salomé - committed as she was to the"double direction" of rigorous thought and individual nuancing - refocused dominant visions of gender, sexuality, culture, religion, and creativity through a female lens.

      In a "disenchanted world" (Weber), Andreas-Salomé offered an image epistemology or"aesthetics of b(u)ilding," as Brinker-Gabler calls it, that seeks to retrieve the multilayered past embedded in individuals and cultural forms, thus providing positive accounts of sexual and cultural difference,experience, narcissism, and creativity in modern life.


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      Bartleby, the Scrivener: “I would prefer not to.
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