Showing posts with label DailyQuotes. Show all posts
Showing posts with label DailyQuotes. Show all posts

“I would prefer not to” is to be taken literally:

Excerpted from The Parallax View by Slavoj Žižek:

And this brings us back to Melville’s Bartleby. His “I would prefer not to” is to be taken literally: it says “I would prefer not to,” not “I don’t prefer (or care) to”—so we are back at Kant’s distinction between negative and in finite judgment. In his refusal of the Master’s order, Bartleby does not negate the predicate; rather, he affirms a non-predicate: he does not say that he doesn’t want to do it; he says that he prefers (wants) not to do it. This is how we pass from the politics of “resistance” or “protestation,” which para-sitizes upon what it negates, to a politics which opens up a new space outside the hegemonic position and its negation.We can imagine the varieties of such a gesture in today’s public space: not only the obvious “There are great chances of a new career here! Join us!”—“I would prefer not to”; but also “Discover the depths of your true self, find inner peace!”—“I would prefer not to”; or “Are you aware how our environment is endangered? Do something for ecology!”—“I would prefer not to”; or “What about all the racial and sexual injustices that we witness all around us? Isn’t it time to do more?”—“I would prefer not to.” This is the gesture of subtraction at its purest, the reduction of all qualitative differences to a purely formal minimal difference.


Are we not making the same point here as Hardt and Negri in Empire, who also refer to Bartleby as the figure of resistance, of saying No! to the existing universe of social machinery? The difference is double. First, for HN, Bartleby’s “I would prefer not to” is interpreted as merely the first move of, as it were, clearing the table, of acquiring a distance toward the existing social universe; what is then needed is a move toward the painstaking work of constructing a new community—if we remain stuck at the Bartleby stage, we end up in a suicidal marginal position with no consequences.... From our point of view, however, this, precisely, is the conclusion to be avoided: in its political mode, Bartleby’s “I would prefer not to” is not the starting point of “abstract negation” which should then be overcome in the patient positive work of the “deter-minate negation” of the existing social universe, but a kind of arche, the underlying principle that sustains the entire movement: far from “overcoming” it, the subsequent work of construction, rather, gives body to it.

This brings us back to the central theme of this book: the parallax shift. Bartleby’s attitude is not merely the first, preparatory, stage for the second, more “constructive,” work of forming a new alternative order; it is the very source and background of this order, its permanent foundation. The difference between Bartleby’s gesture of withdrawal and the formation of a new order is—again, and for the last time—that of parallax: the very frantic and engaged activity of constructing a new order is sustained by an underlying “I would prefer not to” which forever reverberates in it—or, as Hegel
might have put it, the new postrevolutionary order does not negate its founding gesture, the explosion of the destructive fury that wipes away the Old; it merely gives body to this negativity. The difficulty of imagining the New is the difficulty of imagining Bartleby in power. Thus the logic of the move from the superego-parallax to the Bartleby-parallax is very precise: it is the move from something to nothing, from the gap between two “somethings” to the gap that separates a something from nothing, from the void of its own place.That is to say: in a “revolutionary situation,” what, exactly, happens to the gap between the public Law and its obscene superego supplement? It is not that, in a kind of metaphysical unity, the gap is simply abolished, that we obtain only a public regulation of social life, deprived of any hidden obscene supplement. The gap remains, but reduced to a structural minimum: to the “pure” difference between the set of social regulations and the void of their absence. In other words, Bartleby’s gesture is what remains of the supplement to the Law when its place it emptied of all its obscene superego content.

We should draw the same conclusions at the most general level of ontological difference itself: it brings to an extreme the traditional philosophical difference between the physical level and the metaphysical level, between the empirical and the transcendental, by reducing it to the “minimal” difference between what is, something, and—not another, “higher,” reality, but—nothing. Overcoming metaphysics does not mean reducing the metaphysical dimension to ordinary physical reality (or, in a more “Marxist” way, showing how all metaphysical specters arise from the antagonisms of real life), but reducing the difference between material reality and another, “higher” reality to the immanent difference, gap, between this reality and its own void; that is, to discern the void that separates material reality from itself, that makes it “non-all.” And the same goes for the ultimate parallax of political economy, the gap between the reality of everyday material social life (people interacting among themselves and with nature, suffering, consuming, and so on) and the Real of the speculative dance of Capital, its self-propelling movement which seems to be disconnected from ordinary reality. We can experience this gap very tangibly when we visit a country where life is obviously in a shambles, we see a lot of ecological decay and human misery; the econ- omist’s report we read afterward however, informs us that the country’s economic situation is “financially sane.”. . . Marx’s point here is not primarily to reduce the second dimension to the fi rst (to demonstrate how the supranatural mad dance of commodities arises out of the antagonisms of “real life”); his point is, rather, that we cannot properly grasp the first (the social reality of material production and social interaction) without the second: it is the self-propelling metaphysical dance of Capital that runs the show, that provides the key to real-life developments and catastrophes.


Second (and more important, perhaps), the withdrawal expressed by “I would prefer not to” is not to be reduced to the attitude of “saying no to the Empire” but, first and foremost, to all the wealth of what I have called the rumspringa of resistance, all the forms of resisting which help the system to reproduce itself by ensuring our participation in it—today, “I would prefer not to” is not primarily “I would prefer not to participate in the market economy, in capitalist competition and profiteering,” but—much more problematically for some—“I would prefer not to give to charity to support a Black orphan in Africa, engage in the struggle to prevent oil-drilling in a wildlife swamp, send books to educate our liberal-feminist-spirited women in Afghanistan. . . .” A distance toward the direct hegemonic interpellation—“Involve yourself in market competition, be active and productive!”—is the very mode of operation of today’s ideology: today’s ideal subject says to himself: “I am well aware that the whole business of social competition and material success is just an empty game, that my true Self is elsewhere!” If anything, “I would prefer not to” expresses, rather, a refusal to play the “Western Buddhist” game of “social reality is just an illusory game.”

― Slavoj Žižek, The Parallax View



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Bartleby, the Scrivener: “I would prefer not to.”

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Reading Žižek – Where to Start?



ZIZEK BOOKS

“Words can do unspeakable good and cause terrible wounds.”

“... Do not let us despise the word. After all it is a powerfull instrument; it is the means by which we convey our feelings to one another, our method of influencing other people. Words can do unspeakable good and cause terrible wounds.”

― Sigmund Freud, The Question of Lay Analysis 


It cannot go on like this; something is bound to happen.

Letter from Sigmund Freud to Arnold Zweig:

“It cannot go on like this; something is bound to happen. Whether the Nazis will come, or whether our home-made fascism will be ready in time, or whether Otto von Habsburg will step in, as people now think.”

― Freud/Zweig, 1970, p. 65, 25 Feb. 1934


The future is uncertain: either Austrian fascism or the swastika.

On 20 February 1934, Sigmund Freud wrote to his son Ernst:

“The future is uncertain: either Austrian fascism or the swastika. In the latter event we shall have to leave; native fascism we are willing to take in our stride up to a certain point; it can hardly treat us badly as its German cousin.”

― Sigmund Freud, Letters 1961, p. 420, 20 Feb. 1934, to Ernst Freud


Freud and his two sons

The psychic development of the individual is a short repetition of the course of development of the race.

“The psychic development of the individual is a short repetition of the course of development of the race.”

― Sigmund Freud, Leonardo da Vinci (1916)



“A man who has been the indisputable favorite of his mother keeps for life the feeling of a conqueror, that confidence of success that often induces real success.”

“Wenn man der unbestrittene Liebling der Mutter gewesen ist, so behält man fürs Leben jenes Eroberergefühl, jene Zuversicht des Erfolges, welche nicht selten wirklich den Erfolg nach sich zieht.”

Eine Kindheitserinnerung aus »Dichtung und Wahrheit«, first published in the journal Imago, vol. 5 issue 2 (1917), p. 57

Translation: “A man who has been the indisputable favorite of his mother keeps for life the feeling of a conqueror, that confidence of success that often induces real success.”

― From The Life and Works of Sigmund Freud by Ernest Jones, Vol. I, ch. 1 (1953) p. 5


Sigmund Freud (at age 16) with his mother in 1872.

“I may say at once that I am no connoisseur in art, but simply a layman.”

“I may say at once that I am no connoisseur in art, but simply a layman. I have often observed that the subject-matter of works of art has a stronger attraction for me than their formal and technical qualities, though to the artist their value lies first and foremost in these latter. I am unable rightly to appreciate many of the methods used and the effects obtained in art.… Nevertheless, works of art do exercise a powerful effect on me, especially those of literature and sculpture, less often of painting. This has occasioned me, when I have been contemplating such things, to spend a long time before them trying to apprehend them in my own way, i.e., to explain to myself what their effect is due to. Wherever I cannot do this, as for instance with music, I am almost incapable of obtaining any pleasure. Some rationalistic, or perhaps analytic, turn of mind in me rebels against being moved by a thing without knowing why I am thus affected and what it is that affects me.”

― Sigmund Freud, “The Moses of Michelangelo” (1914), Standard Edition, Vol. XIII, p. 211.




The Oedipus complex unfolded on October 15, 1897.

It was, within a few days, the first anniversary of his father’s death (Jakob Freud died on October 23, 1896).

Being entirely honest with oneself is a good exercise. Only one idea of general value has occurred to me. I have found love of the mother and jealousy of the father in my own case too, and now believe it to be a general phenomenon of early childhood, even if it does not always occur so early as in children who have been made hysterics.… If that is the case, the gripping power of Oedipus Rex, in spite of all the rational objections to the inexorable fate that the story presupposes, becomes intelligible, and one can understand why later fate dramas were such failures. Our feelings rise against any arbitrary, individual fate … but the Greek myth seizes on a compulsion which everyone recognizes because he has felt traces of it in himself. Every member of the audience was once a budding Oedipus in phantasy, and this dream-fulfillment played out in reality causes everyone to recoil in horror, with the full measure of repression which separates his infantile from his present state.

The idea has passed through my head that the same thing may lie at the root of Hamlet. I am not thinking of Shakespeare’s conscious intentions, but supposing rather that he was impelled to write it by a real event because his own unconscious understood that of the hero. How can one explain the hysteric Hamlet’s phrase “So conscience doth make cowards of us all,” and his hesitation to avenge his father by killing his uncle, when he himself so casually sends his courtiers to their death and despatches Laertes so quickly? How better than by the torment roused in him by the obscure memory that he himself had meditated the same deed against his father because of passion for his mother—“use every man after his desert, and who should ’scape whipping?” His conscience is his unconscious feeling of guilt.

― The Origins of Psycho-Analysis: Letters to Wilhelm Fliess, Drafts and Notes, 1887-1902, pp. 223-24.


Freud, his three sisters, and mother at his father Jacob's grave, 1897

See also: 

Setting the Record Straight: Freud explains the Oedipus complex


Freud on The realm of imagination

“The realm of imagination was seen to be a “reservation” made during the painful transition from the pleasure principle to the reality principle in order to provide a substitute for instinctual satisfactions which had to be given up in real life. The artist, like the neurotic, had withdrawn from an unsatisfying reality into this world of imagination; but, unlike the neurotic, he knew how to find a way back from it and once more to get a firm foothold in reality. His creations, works of art, were the imaginary satisfactions of unconscious wishes, just as dreams are; and like them they were in the nature of compromises, since they too were forced to avoid any open conflict with the forces of repression. But they differed from the asocial, narcissistic products of dreaming in that they were calculated to arouse sympathetic interest in other people and were able to evoke and to satisfy the same unconscious wishful impulses in them too.”

― Sigmund Freud, Autobiographical Study, Standard Edition, Vol. XX, pp. 64–65



I owe my results to a new method of psychoanalysis, Josef Breuer's exploratory procedure

“I owe my results to a new method of psychoanalysis, Josef Breuer's exploratory procedure; it is a little intricate, but irreplaceable, so fertile has it shown itself to be in throwing light upon the obscure unconscious mental processes.”

―Sigmund Freud, Heredity and the Aetiology of the Neuroses (1896)


Josef Breuer 1905 (63 years old).

we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?

“Capitalist realism insists on treating mental health as if it were a natural fact, like weather (but, then again, weather is no longer a natural fact so much as a political-economic effect). In the 1960s and 1970s, radical theory and politics (Laing, Foucault, Deleuze and Guattari, etc.) coalesced around extreme mental conditions such as schizophrenia, arguing, for instance, that madness was not a natural, but a political, category. But what is needed now is a politicization of much more common disorders. Indeed, it is their very commonness which is the issue: in Britain, depression is now the condition that is most treated by the NHS. In his book The Selfish Capitalist, Oliver James has convincingly posited a correlation between rising rates of mental distress and the neoliberal mode of capitalism practiced in countries like Britain, the USA and Australia. In line with James’s claims, I want to argue that it is necessary to reframe the growing problem of stress (and distress) in capitalist societies. Instead of treating it as incumbent on individuals to resolve their own psychological distress, instead, that is, of accepting the vast privatization of stress that has taken place over the last thirty years, we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?”

― Mark Fisher, Capitalist Realism: Is There No Alternative?



The current ruling ontology denies any possibility of a social causation of mental illness.

“The current ruling ontology denies any possibility of a social causation of mental illness. The chemico-biologization of mental illness is of course strictly commensurate with its depoliticization. Considering mental illness an individual chemico-biological problem has enormous benefits for capitalism. First, it reinforces Capital’s drive towards atomistic individualization (you are sick because of your brain chemistry). Second, it provides an enormously lucrative market in which multinational pharmaceutical companies can peddle their pharmaceuticals (we can cure you with our SSRls). It goes without saying that all mental illnesses are neurologically instantiated, but this says nothing about their causation. If it is true, for instance, that depression is constituted by low serotonin levels, what still needs to be explained is why particular individuals have low levels of serotonin. This requires a social and political explanation; and the task of repoliticizing mental illness is an urgent one if the left wants to challenge capitalist realism.”

― Mark Fisher, Capitalist Realism: Is There No Alternative? 


“I believe that it is wrong to designate the feeling of having experienced something before as an illusion.”

“To the category of the wonderful and uncanny we may also add that strange feeling we perceive in certain moments and situations when it seems as if we had already had exactly the same experience, or had previously found ourselves in the same situation. … I believe that it is wrong to designate the feeling of having experienced something before as an illusion. On the contrary, in such moments something is really touched that we have already experienced, only we cannot consciously recall the latter because it never was conscious. In short, the feeling of Déjà vu corresponds to the memory of an unconscious fantasy.”

― Sigmund Freud, The Psychopathology of Everyday Life


Didn't Lacan say that Japanese do not have an unconscious?


"But there is another Japan, the psycho-analytic. Whenever you have the multi-culturalist approach, the almost standard example is Japan and its way of 'Verneinung', saying no. There are thirty ways to say no. You say no to your wife in one way, no to a child in another way. There is not one negation. There exists a small Lacanian volume, 'La chose japonaise.' They elaborate the borrowing of other languages, all these ambiguities. Didn't Lacan say that Japanese do not have an unconscious? For the West, Japan is the ambiguous Other: at the same time it fascinates you and repels you."

Zizek, Slavoj and Geert Lovink (Interviewer). "Japan through a Slovenian Looking Glass: Reflections of Media and Politic and Cinema." in: Inter Communications No. 14. 1995.


ジャック=マリー=エミール・ラカン






ジャック=マリー=エミール・ラカン(Jacques-Marie-Émile Lacan、1901年4月13日 - 1981年9月9日)は、フランスの哲学者、精神科医、精神分析家。





Lacan's definition of human deception:

"Lacan's definition of human deception: We deceive the Other by means of the truth itself; in a universe in which all are looking for the true face beneath the mask, the best way to lead them astray is to wear the mask of truth itself."

Slavoj Zizek, The Sublime Object of Ideology


Freud on Death and American flirtation

“But this attitude of ours towards death has a powerful effect on our lives. Life is impoverished, it loses in interest, when the highest stake in the game of living, life itself, may not be risked. It becomes as shallow and empty as, let us say, an American flirtation, in which is understood from the first that nothing is to happen, as contrasted with a Continental love affair in which both partners must constantly bear its serious consequences in mind. Our emotional ties, the unbearable intensity of our grief, make us disinclined to court danger for ourselves and for those who belong to us. We dare not to contemplate a great many undertakings, which are dangerous but in fact indispensable, such as attempts at artificial flight, expeditions to distant countries or experiments with explosive substances. We are paralyzed by the thought of who is to take the son's place with his mother, the husband's with his wife, the father's with his children, if a disaster should occur. Thus the tendency to exclude death from our calculations in life brings in its train many other renunciations and exclusions. Yet the motto of the Hanseatic League ran: “Navigare necesse est, vivere non necesse.” ("It is necessary to sail the seas, it is not necessary to live.")”

― Sigmund Freud, The Letters of Sigmund Freud and Otto Rank: Inside Psychoanalysis



But for Lacan all our discourse is in a sense a slip of the tongue:

“If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue.”

― Terry Eagleton, Literary Theory: An Introduction 


“The ego is function or effect of a subject which is always dispersed”

“In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it.”

Terry Eagleton,  Literary Theory: An Introduction, p. 147


Enjoyment is always bound up with gratitude

“Enjoyment is always bound up with gratitude; if this gratitude is deeply felt it includes the wish to return goodness received and is thus the basis of generosity. There is always a close connection between being able to accept and to give, and both are part of the relation to the good object and therefore counteract loneliness. Furthermore, the feeling of generosity underlies creativeness, and this applies to the infant's most primitive constructive activities as well as to the creativeness of the adult.

The capacity for enjoyment is also the precondition  for a measure of resignation which allows for pleasure in what is available without too much greed for inaccessible gratifications and without excessive resentment about frustration. Such adaptation can already be observed in some young infants. Resignation is bound up with tolerance and with the feeling that destructive impulses will not overwhelm love, and that therefore goodness and life may be preserved.”


― Melanie Klein, Envy And Gratitude And Other Works 1946-1963





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Bartleby, the Scrivener: “I would prefer not to.”
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